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466 item(s)

"L" FORMATION [C4]:

An "L" is a 3-dancer formation that can be obtained from a 2 x 2 after removing any one of the dancers. EN: 558

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"X" CONCEPT [C4] (Jim Davis):

An "X" occupies the same footprints as a Butterfly but is considered to be two diagonal Columns which cross over each other in the middle. An "X" Circulate is the same as a Butterfly Circulate, except that the #3 dancers (in-facing Centers) do a Concentric Box Crossover Circulate (Jaywalk with each other). EN: 579

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"Z" Axle [C3B] (Dave Hodson 1980):

From the "Z" obtained from a Line with the Centers in a Mini-Wave after a Step & Slide. Outsides Cross Cast Back; all Trade; Centers Trade. Ends in a Line. This is a 3-part call. EN: 618

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"Z" Concept [C3B]:

A "Z" is a 2 x 2 that is offset by one position (e.g., the formation obtained from a Mini-Wave Box after 1/2 Press Ahead). Work in the Offset 2 x 2 and maintain the footprints. EN: 826

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#{n} Zing {m} [C4]:

From Columns. The n-th dancer in the Column 1/4 Out & Run past m dancers as the dancers being Run around Circulate & 1/4 In. EN: 548

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1 By 2 Checkover [C2V]:

#1 'Checkmate' as #2 and #3 1/2 Circulate, Cast Off 3/4 & Slither, and 'As Couples' Extend. EN: 387

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1 By 3 Transfer The Column [NOL]:

From Columns. The First dancer (in each Column) Transfer (1/2 Circulate, Counter Rotate 1/4 & Roll) as the Last Three dancers 1/2 Circulate and Cast Off 3/4; Center 4 Extend The Tag as Others Step Thru to end in Parallel 3 & 1 Lines EN: 740

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1/4 (or 3/4) Thru [A1] (Dick Bayer と Holman Hudspeth 1969):

From a R-H Mini-Wave Box, a R-H Facing Diamond (Centers with R-H, Ends with L-H), or other applicable formations. Those who can Right Arm Turn 1/4 (or 3/4); those who meet and can Left Arm Turn 1/2. Ends in a Wave. EN: 28

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1/4 (or 3/4) Wheel The Ocean | Sea [C3A] (Bob Urbasik 1984):

From a L-H (or R-H) Two-Faced Line. Left Cast 1/4 (or 3/4) (to end in Facing Couples); Finish Wheel The Ocean | Sea. (Ocean: Belles diagonally Right Pull By; Sea: Belles Walk as Beaus Dodge.) Ends in a Mini-Wave Box. EN: 193

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1/4 In [A1] (Jim Faulkenberry と Clarence Watson 1959):

From a Couple or Mini-Wave. Turn 90° in place toward the adjacent dancer. Ends in Facing Dancers. EN: 87

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1/4 In | Out [A1] (Jim Faulkenberry と Clarence Watson 1959):

From a Couple or Mini-Wave. Individually turn 1/4 toward (1/4 In) or away from (1/4 Out) your Partner (the adjacent dancer). If you do not have a Partner, turn 1/4 toward or away from the center of the smallest applicable sub-formation you can find. EN: 111

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1/4 Right | Left [NOL]:

Turn 90° in place toward the Right | Left. Also known as Face Right | Left. EN: 154

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1/4 | 1/2 | 3/4 Top [A1]:

From a Thar, a Squared Set after everyone Face In, or from other applicable formations. Arm Turn 1/2; Move forward (Centers in a star, Outsides around the outside) in a Circular path to meet the n-th dancer, where n = 1 for 1/4 Top, n = 2 for 1/2 Top, or n = 3 for 3/4 Top. Ends in a Thar. EN: 140

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3 By 1 Checkmate [C2] (Willard Orlich):

From Columns. First Three dancers Column Circulate 4 positions & 1/4 In as the #4 dancers Circulate 3 positions, 1/4 In, & Circulate. Ends in Parallel 3 & 1 Lines. EN: 456

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3 By 1 Transfer The Column [C2]:

From Columns. The First Three dancers Transfer (as a 3-dancer group Trail Off , then individually 1/4 In) as the #4 dancers Circulate 1 & 1/2 and Cast Off 3/4; Center 4 Extend The Tag as Others Step Ahead to end in Parallel 3 & 1 Lines. EN: 59

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3 By 2 Acey Deucey [C1]:

From applicable formations. Outside Triangles Circulate (a Triangle is a 3-dancer formation) as the Very Center 2 Trade. EN: 20

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3/4 In | Out [NOL]:

From a Couple or Mini-Wave. Turn 270° in place towards (In) or away from (Out) the adjacent dancer. 3/4 In ends in Back-to-Back Dancers; 3/4 Out ends in Facing Dancers. In practice, these calls are rarely called, but are sometimes used as part of call definitions. EN: 155

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6 By 2 Acey Deucey [A1]:

Outside 6 dancers Circulate (within their distorted 6-dancer setup) as Very Centers Trade. EN: 18

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any Tagging call & Scatter [C3B]:

Do the any Tagging call to the 1/2 Tag position; Scatter Scoot. E.g., (1) Tag & Scatter is 1/2 Tag, Scatter Scoot; (2) Flip & Scatter is 1/2 Flip The Line, Scatter Scoot. EN: 581

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any Tagging call Back & Dodge [C4]:

Do the any Tagging call to the 1/2 Tag position; Scoot & Dodge. Ends in Back-to-Back Couples. For example, a Tag Back & Dodge is a 1/2 Tag; Scoot & Dodge. EN: 12

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any Tagging call Chain Thru [C3A]:

Do the any Tagging call to the 1/2 Tag position; Scoot Chain Thru. Ends in Parallel Waves. For example, a Tag Chain Thru is a 1/2 Tag; Scoot Chain Thru. EN: 25

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any Tagging call Your Criss Cross Neighbor [C2V]:

Do the any Tagging call to the 1/2 Tag position; Criss Cross Your Neighbor. Ends in a Wave. EN: 734

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any Tagging call Your Cross Neighbor [C2V]:

Do the any Tagging call to the 1/2 Tag position; Cross Your Neighbor. Ends in a Two-Faced Line. EN: 492

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any Tagging Call Your Neighbor [C2]:

Do the any Tagging call to the 1/2 Tag position; Follow Your Neighbor. Ends in a Wave. For example, a Tag Your Neighbor is a 1/2 Tag; Follow Your Neighbor. EN: 436

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anyone 1 By n Shove Off [C4]:

Designated dancer Phantom Run (one position away from their partner's position) as the n adjacent dancers move 1 position towards the designated dancer. EN: 565

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anyone 1 By n Tow Truck [C4]:

From a Line of 3 (or more). Designated End dancer Truck as other dancers move one position toward the designated dancer's vacated position without changing their facing direction. Previously known as anyone Tow Train [obsolete C4]. EN: 497

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anyone Cross Kick By {n} [C4]:

From a Tidal Line in which the anyone dancers are the Very Centers. The Very Centers work toward the far End to Kick By n, not counting the other Very Center position. EN: 886

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anyone Finish The Stack [C4]:

From Facing Couples. Those designated walk forward to the other half of the Box to join R-H with the opposite non-designated dancer. Non-designated dancers adjust as necessary to form a R-H Mini-Wave Box. Finish The Stack is the last 1/2 of Stack The Line with the designated dancers acting as the original Leads. EN: 569

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anyone Kick By {n} [C4] (Jim Davis):

From a Line of 3 or more. The designated dancer Run past n dancers and Roll as the dancers being Run around do a Partner Tag one position toward the designated dancer's original starting position. EN: 689

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anyone Run By {n} [C4]:

From a Line of 3 or more. Designated dancers Run past n dancers, who individually move one position toward the designated dancer's original starting position. EN: 885

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anyone Scoot others Dodge [A1V]:

From Facing Couples or other applicable 2x2. Those designated Scoot Back as Others Dodge. Ends in a 2x2. For example, from normal Facing Couples: Boys Scoot, Girls Dodge. EN: 544

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anyone Tow Train Leave The Caboose [obsolete]:

Tow Train but the non-designated End dancer does not move. This is the same as anyone 1 By n-1 Tow Truck. EN: 498

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anyone Tow Truck [C4] (Lee Kopman):

From an applicable 2-dancer formation. Designated dancer Truck as the adjacent dancer moves into designated dancer's vacated position without changing their facing direction. The result is as if the designated dancer did a Truck while dragging the adjacent dancer. EN: 496

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anything Chain Thru [C1]:

Do the anything call; Very Centers Trade; Center 4 Cast Off 3/4. EN: 393

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anything Coordinate [C2]:

Do the anything call; then Finish Coordinate (1/2 Circulate; Center 6 Trade; Very Ends do your part Fan The Top as Very Centers Veer Out). Usually ends in Parallel Two-Faced Lines. The anything call replaces the first Circulate. EN: 718

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anything Like A Shazam [C2V]:

Do the anything call; U-Turn Back. The last part of the anything call is usually an Arm Turn. EN: 848

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anything Like A Squeeze [C4] (Dave Hodson 1979):

Do the anything call (usually a 2-dancer call) but end such that those who started close together end far apart (allowing for two dancer-sized positions of space). EN: 654

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anything Motivate [C2]:

Do the anything call; then Finish Motivate (Ends 1/2 Circulate as Centers Cast Off 3/4; Center Star|Diamond Circulate twice as Others Trade; those who meet Cast Off 3/4 as Others move up as in Phantom Hourglass Circulate). Usually ends in Parallel Waves. The anything call replaces the first Circulate. If the anything call ends with the words 'Circulate' or 'Rotate 1/4', those words are omitted. For example, In Roll Motivate is an In Roll Circulate; Centers Cast Off 3/4 as the Ends 1/2 Circulate; Center 4 Star 1/2 as Outsides Trade; Those who meet Cast Off 3/4 as Others move up. EN: 413

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anything Percolate [C2]:

Do the anything call; then Finish Percolate (1/2 Circulate; Center Line Hinge & Cross as the Others Any Hand Turn Thru). Usually ends in Back-to-Back Lines or T-Bones. EN: 737

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anything Perk Up [C2]:

Do the anything call; then Finish Perk Up (1/2 Split Circulate; Center Line Hinge, Circulate & Trade as Others (Concentric) Circulate twice). Usually ends in Parallel Two-Faced Lines. The anything call replaces the first Circulate. EN: 713

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anything Single The Wave [C4]:

From a Wave. Step Thru; do the anything call. The anything call should be a 4 (or fewer) dancer call, working with the dancers who were in your wave. EN: 676

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anything The Action [C4]:

Do the anything call (which usually ends in a Trade By formation); Centers make a R-H Star (usually 1/2 Reverse Swap Around) and Star 1/4 as Outsides Hinge & Trade; Those who meet Cast Off 3/4 as Others move up. Usually ends in Parallel Waves. EN: 147

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anything The Axle But Cast fraction [C1V]:

Replace all Trade with a Cast Off fraction. You must then remember to do the final Centers Trade. If the fraction is 1/4 or 3/4, you will end in Back-to-Back Lines. EN: 617

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anything The Boat [C4]:

Do the anything call; Finish Load The Boat (i.e., do the last 3/4 of Load The Boat: Centers Face Out, Partner Trade, and Pass Thru as the Ends Pass 2 dancers right-shoulders and Face In). EN: 358

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anything The Wave [C4]:

From Parallel Waves. In Tandem Step Thru; do the anything call. The anything call is usually a Peel Off movement (Peel Off, Trail Off, Peel & Trail, etc.) or Cloverleaf movement (Cloverleaf, Cross Cloverleaf). When the anything call is a Peel Off movement, the word 'Off' is conventionally omitted; similarly, when the anything call is a Cloverleaf movement, the word 'leaf' is conventionally omitted. This usage of The Wave is not related to Swap The Wave. EN: 675

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anything The Wave [C4]:

From a Wave. Do the anything call as if you started from Facing Couples. Some dancers 'rear-back' and then do the call. For example: Cross & Turn The Wave, Split Swap The Wave. This usage of The Wave is rarely used since it is usually awkward to dance. EN: 708

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anything The Windmill [C1]:

From various formations. All or Center 4 do the anything call; Centers Cast Off 3/4 as Outsides turn 1/4 toward the given direction & Circulate twice. Ends in various formations. EN: 460

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anything(ers) Cover Up [C4]:

Do the anything call; 1/2 Circulate; Centers Recycle as Outsides Any-Shoulder Pass In. The anything call replaces the first Circulate. EN: 509

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direction Anchor fraction [C4]:

From a Couple. Using the dancer nearest the given direction as the pivot point, Cast Off the given fraction toward the given direction. The pivot dancer starts and ends on the same floor spot. There is neither a default direction nor a default fraction for this call. EN: 258

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fraction Cast & Relay [C3B]:

From Parallel Waves or Eight Chain Thru. Arm Turn the given fraction; Centers Cast Off 3/4 as Ends 1/2 Circulate; Centers turn the Star the given fraction as the others Trade; those who meet Cast Off 3/4 as the others move up (Phantom Hourglass Circulate). Ends in Parallel Waves. There is no default fraction for this call. Cast & Relay is a Relay The Top with both the initial Arm Turn and the Star turning the given fraction. EN: 528

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n Step(s) At A Time [C3B] (Lee Kopman 1978):

From Columns. The First n dancers Peel Off to end in a Line of n, Step Ahead as necessary to form a Concentric Line of 2n and Bend The Line of 2n as the other dancers Extend (using Circulates) to form a compact formation, Trade, and Roll. n Step(s) At A Time can be fractionalized into thirds. EN: 817

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Acey Deucey [Plus] (Larry Dee 1963):

From applicable formations. Outside 4 Circulate as Center 4 Trade. EN: 19

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All 8 Cycle & Wheel [C1V]:

From a 1/4 Line or other applicable formations. Center dancers do a Wheel & Deal to end as Couples on the Outside as the Outside dancers move into the Center and do a Box Recycle [C1]. A 1/4 Line setup ends in a 1/4 Tag. All 8 Cycle & Wheel is identical to Cross Concentric Cycle & Wheel [C2]. EN: 493

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All 8 Recycle [C1] (Lee Kopman 1974):

From a 1/4 Tag (or Squared Set or Thar). Wave dancers Recycle, taking a wider arc than normal, to end as Couples on the outside as the Outside dancers move into the Center & do a Box Recycle with one another to end in the Center Wave. A 1/4 Tag setup ends in a 1/4 Tag. EN: 439

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All 8 Swing & Mix [A2]:

From a Thar or other applicable formations. Arm Turn 1/2; Centers Cross Run (Star 1/2 & Slide); New Centers Trade (Star 1/2). Ends in a Thar. This is a 3-part call. EN: 468

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All 8 Swing Thru [A2] (Leland Cooper):

From a Thar (or Squared Set after everyone 1/4 In). Those who can Right Arm Turn 1/2; those who can Left Arm Turn 1/2. Ends in a Thar. Some of the Arm Turns require a Star across the Center. EN: 467

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All Eight Spin The Top [Plus]:

From a Thar, a Squared Set after everyone Face In, or from other applicable formations. Arm Turn 1/2; Centers Star 3/4 as Outsides move up 1/4 of a Circle around the outside. Ends in a Thar. EN: 148

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Along [C2] (Lee Kopman 1975):

From a Tidal Line. Center pairs of dancers Hinge and (Columns of 3) Circulate as the Very Ends Counter Rotate 1/4; Center pairs of dancers Grand Peel & Trail (#1 Peel Off, others Extend and Trade) as the others Extend. Usually ends in Parallel Waves, but can also end in Parallel Two-Faced Lines or a Parallelo EN: 901

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An Anchor But anything [C4]:

Center 6 Trade; Outsides Step Thru, Ends Bend & Pass In as Centers do the anything call. This is the same as An Anchor except that the resulting Centers Replace the Center 4 Trade followed by Center 2 Trade with the anything call. EN: 505

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Anchor The anyone For anything [C4]:

From applicable formations. Do the anything call with the designated dancer remaining on the same floor spot throughout the entire call. This frequently results in the ending formation being offset from the starting formation. EN: 480

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Any Hand 1/4 (or 3/4) Thru [A1]:

From applicable 4-dancer formations. Those who can Arm Turn 1/4 (or 3/4); Those who meet Arm Turn 1/2 (or Partner Trade). The Any Hand concept allows calls that always start with the right hand to be done from formations in which some dancers have right hands joined and some dancers have left hands joined. Everyone who can starts the call by doing an Arm Turn 1/4 (or 3/4). EN: 92

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Any Hand Grand 1/4 (or 3/4) Thru [A1]:

From applicable formations (e.g., Magic Columns). Those who can Arm Turn 1/4 (by either hand); those who meet Trade. The Trade can be either an Arm Turn 1/2 (from a Mini-Wave) or a Partner Trade (from a Couple). EN: 125

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Any Hand Remake [A2]:

From applicable 4-dancer formations. Those who can Arm Turn 1/4; those who meet Arm Turn 1/2 or Partner Trade; those who meet Arm Turn 3/4 or 'push' Cast Off 3/4. The Any Hand concept allows calls that always start with the Right-Hand to be done from formations in which some dancers have Right-Hands and some dancers have Left-Hands. EN: 402

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Any Shoulder anything [NOL]:

Passing the most convenient (smoothest to dance) shoulder, do the anything call. I.e., from a R-H Two-Faced Line, pass Right-shoulders; from a L-H Two-Faced Line, pass Left-shoulders. EN: 372

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Any Shoulder Turn & Deal [NOL]:

From a Two-Faced Line. Passing the most convenient shoulder (right-shoulders from a R-H Two-Faced Line; left-shoulders from a L-H Two-Faced Line), do a Turn & Deal. Ends in Facing Couples. EN: 42

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As Couples CONCEPT [A1]:

Dancers side-by-side and facing the same direction (i.e., a Couple) work as a single dancer to do the given call. EN: 31

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Bail Out But anything [C4]:

Centers replace the Counter Rotate 1/4 with the anything call. EN: 365

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Big Block CONCEPT [C3A]:

From applicable 4 x 4 Matrix formations such as Interlocked Blocks, a Butterfly, or an "O". Do the call working in distorted Parallel Lines. EN: 337

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Box Counter Rotate fraction [A2]:

From a 2x2. Walk forward in an arc for a total of fraction of a circle, around the flagpole center of the 2x2, keeping the same distance from the center of the 2x2. Ends in a 2x2. EN: 446

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Box Transfer [A2] (Lee Kopman 1974):

From a 2 x 2. Leaders Box Circulate Twice and 1/4 In as Trailers Extend, Cast Off 3/4, and Extend. A Mini-Wave Box ends in a Mini-Wave Box. Split Transfer is a Box Transfer done within each 2 x 2 of a 2 x 4. Box | Split Transfer is the Single version of Transfer The Column. EN: 58

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Brace Yourself [C4]:

From a Couple consisting of one Boy and one Girl. Normal Couples Courtesy Turn as Half-Sashayed Couples U-Turn Back. Ends in a Normal Couple. This is the last half of Brace Thru. EN: 122

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By Golly [C4] (Lee Kopman 1977):

From Facing Couples. This call must be preceded by a call which can be followed by a Sweep 1/4. Those closest to the flow direction Sweep 1/4 as the others Dodge and Any Shoulder Wheel Thru. Ends in a Mini-Wave Box. EN: 747

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Cast A Shadow [A1] (Lee Kopman 1973):

From Parallel Lines with the Ends in Tandem or from Promenade (in which case, the designated dancers act as Leaders in Parallel Two-Faced Lines). Ends 1/2 Zoom, Cast Off 3/4 and Spread as Out-Facing Centers Cloverleaf as In-Facing Centers Extend, Hinge, & Extend. Adjust as necessary to end in Parallel Lines. EN: 143

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Catch anything {n} [C3A] (Johnny Preston 1981):

From applicable formations. Square Thru on the n-th hand (Step To A Wave); do the anything call; all Step & Fold. Ends in various formations. The anything call replaces the Centers Trade and can be an 8-dancer call. EN: 338

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Central Concept [C3A] (Bill Heimann):

Do the Centers part of the anything call. If the starting formation is a 2 x 4 and if the Centers part of the anything call can be done from either a 1 x 4 or a 2 x 2 (e.g., Counter or Detour), then work in the 2 x 2. For this case, the caller should specify in which setup the dancers are to do the call (e.g., Each Wave do a Central Counter). EN: 795

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Chain Reaction [A1] (Lee Kopman 1975):

From an applicable Generalized 1/4 Tag. Very Centers and the directly facing Outside dancers Pass Thru as the End of the Center Line Counter Rotate 1/4 (on the Outside); Centers of each side Hinge; Center 4 Star 1/4 as Outsides Trade; Those who meet Cast Off 3/4 as Others move up (Phantom Hourglass Circulate). Ends in Parallel Lines | Waves. EN: 145

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Chain Reaction But anything [NOL]:

Do a Chain Reaction, except the final Centers replace Cast Off 3/4 with the anything call. For example (from a R-H 1/4 Tag): Chain Reaction But Left Swing Thru. EN: 540

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Change Lanes [C3B] (Kip Garvey):

From Parallel Lines with the Centers in a Mini-Wave Box or from other applicable formations. Centers Any Hand Remake & Spread as Ends Circulate & Crossover Circulate. Parallel Lines end in Parallel Lines. EN: 744

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Change The Centers | Wave [C3B] (Dot Butler と Jerry Salisbury 1968):

From a Wave or Facing Couples.

Change The Centers: Arm Turn 1/2; Slip; Centers Cross Run; Slip.

Change The Wave: Arm Turn 1/2; Slip; Centers Cross Run; Swing.

Both calls end in a Wave and are 4-part calls.

 EN: 770

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Change Your Image [C3B] (Dave Hodson と Lee Kopman 1979):

From a 2 x 4. Centers Phantom Columns Circulate twice as the Ends Split Circulate twice. Parallel Lines or Columns end in Columns; T-Bones end in various formations. Change Your Image is a 2-part call and can be fractionalized into quarters. EN: 785

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Chase Your Neighbor [C1] (Burt Rubenstein):

From Back-to-Back Couples. Chase The 1/2 Tag (Belles Right-face U-Turn Back & all Box Circulate); Follow Your Neighbor. Ends in a L-H Wave. EN: 392

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Checkover [C1] (Al Appleton 1978):

From Columns. First Two Checkmate The Column as Last Two step foward to form a Box (Circulate), Cast Off 3/4, Slither, and As Couples Extend. Ends in Parallel Two-Faced Lines. EN: 385

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Checkover But Hold The Two-Faced Line [C1V]:

Do a Checkover but omit the As Couples Extend. EN: 386

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Chisel Thru [C2] (Holman Hudspeth 1970):

From Facing Lines (or a R-H Tidal Wave). Concentric Pass In; Ends Pass In as Centers Pass Out; all Pass In. Ends in Facing Lines. Chisel Thru is a 3-part call. EN: 827

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Circle (fraction) To A Two-Faced Line [C4]:

From Facing Couples. Circle Left 1/2 (or the given fraction); Veer Left. Ends in a R-H Two-Faced Line. Same as As Couples Single Circle To A Wave. EN: 593

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Circle (fraction) To A Wave [C2] (Lee Kopman 1976):

From Facing Couples. Circle Left 1/4 (or the given fraction); Beaus Walk as Belles Dodge. Ends in a R-H Mini-Wave Box. EN: 592

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Circle The (fraction) Tag [C4] (Vic Ceder):

From Facing Couples. Circle 1/4 Left; Beaus 1/2 Walk as Belles 1/2 Dodge (this is Circle The 1/4 Tag); Extend to the given fractional Tag formation. If no fraction is given, complete a full Tag The Line. Circle The 1/2 Tag is equivalent to Circle To A Wave. EN: 594

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Continue To Invert Another fraction [C4]:

From one of the intermediate stages of Invert The Column. Do the next fraction parts of Invert The Column. EN: 858

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Coordinate To A Diamond [C4]:

Coordinate; Centers Hinge. Columns end in Twin Diamonds. EN: 719

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Counter Point [C4]:

From applicable formations. Centers Recycle as Outsides Counter Rotate 1/4. EN: 441

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Counter Rotate fraction [C1] (Lee Kopman 1973):

From applicable formations. Walk forward in an arc, for a total of fraction of a circle, around the flagpole center of the set, keeping the same distance from the center of the set. EN: 443

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Counter Shake [C4] (Lee Kopman 1979):

From Completed Double Pass Thru. Centers Shakedown, Veer Left & As Couples Extend as Outsides 1/4 Right, Counter Rotate 1/4 & Curve In [C4] (as one movement, Press In & Face In). Ends in Parallel R-H Two-Faced Lines. Counter Shake is a 3-part call. EN: 516

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Couple Of 3 [NOL]:

A one-faced Line of 3 dancers work as a unit. EN: 35

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Couples Hinge [Mainstream] (Ron Schneider 1970):

From a One- or Two-Faced Line. Do 1/2 of a Couples Trade. Ends in a Two-Faced Line. EN: 463

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Couples Hinge & Trade [C4] (Ron Schneider 1969):

From Parallel Two-Faced Lines or Back-to-Back Lines. Couples Hinge; Center Couples Trade; all As Couples Face In. Ends in a Double Pass Thru Formation. EN: 464

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Cover Up But anything [C4]:

Circulate; 1/2 Circulate; Outsides Any-Shoulder Pass In as Centers do the anything call. This is the same as Cover Up except the resulting Centers Replace the Recycle with the anything call. EN: 510

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Crazy Concept [C2] (Bern Aubuchon 1971):

Each side do the given call; Centers do the given call; Each side do the given call; Centers do the given call. EN: 829

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Criss Cross Clover And anything [NOL]:

Out-Facing Couples Cross Cloverleaf and Half Sashay as Others (move in and) do the anything call. EN: 139

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Criss Cross Shadow The Column [C4]:

From Columns. #1 and #3 dancers act as Ends while #2 and #4 dancers act as Centers of Parallel Two-Faced Lines, and all Criss Cross The Shadow. EN: 881

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Criss Cross The Deucey [C3B]:

From Parallel Waves, applicable 2 x 4 T-Bones, or the formation obtained after All 4 Couples Touch 1/4. Trailers Cross Extend, Arm Turn 3/4 and Spread as Leaders 1/2 Split Circulate and then Phantom Crossover Circulate. Ends in Parallel Waves, Point-to-Point Diamonds, or a Thar. EN: 763

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Criss Cross The Shadow [C2] (Ross Howell 1974):

From Parallel Lines with the Ends in Tandem or from Promenade (in which case designated dancers act as Leaders in Parallel Two-Faced Lines). Ends 1/2 Zoom & Slide, Cast Off 3/4 and Spread as Out-Facing Centers Cloverleaf and Slither as In-Facing Centers Cross Extend, Arm Turn 1/4, & Extend. Adjust as necessary to end in Parallel Lines. EN: 149

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Cross Back [C2]:

From a Mini-Wave Box or applicable T-Bone 2 x 2. Leaders U-Turn Back as Trailers Diagonal Pull By using outside hands. A Mini-Wave Box ends in an opposite-handed Mini-Wave Box. EN: 118

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Cross Breed Thru [C4]:

From applicable Facing Couples (or an applicable R-H Wave). Pass Thru; Normal Couples Left-Shoulder Partner Tag as Half-Sashayed Couples 1/4 Out. Ends in Back-to-Back Couples. EN: 123

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Cross By [C1] (Lee Kopman 1969):

From Parallel Waves or a Thar. As one movement, 1/2 Circulate and Slide (nose-to-nose). A Thar ends in an opposite-handed Thar; Parallel Waves end in a Thar. EN: 82

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Cross Chuck-A-Luck [C3B] (Lee Kopman 1971):

From Parallel Lines with the Centers facing out. Centers Cross Run and Pass In as Ends Face In, Step Forward, and Cross Trail Thru. Ends in an Eight Chain Thru formation. EN: 138

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Cross Counter [C3A] (Ross Howell 1974):

From a 3/4 Tag or other applicable formations. Centers Trade The Wave, Cast Off 3/4 and Counter Rotate 1/4 as the Outsides Cross Cast Back, Touch 1/2 and Step & Fold. A R-H 3/4 Tag ends in Parallel L-H Two-Faced Lines; a L-H 3/4 Tag ends in Parallel L-H Waves. Cross Counter is a 3-part call. EN: 239

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Cross Cycle [C3B] (Joe Chiles 1975):

From a Two-Faced Line. Centers Cross Fold and all adjust to a Mini-Wave Box; Box Counter Rotate 1/4; Roll. Ends in Facing Couples. EN: 576

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Cross Drop direction [C4]:

Centers Cross Extend instead of Extend. EN: 897

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Cross Extend [C1] (Lee Kopman):

As one movement Extend and those ending in a Mini-Wave slide nose-to-nose with each other to end in an opposite-handed Mini-Wave. EN: 491

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Cross Flip The Line (fraction) [C3B] (Ron Schneider 1973):

From a Two-Faced Line. As one movement, Centers Cross Run and all Any Shoulder Tag The Line to the given fractional Tag formation. If no fraction is given, complete a full Tag The Line. EN: 652

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Cross Follow Thru [C4] (Art Fricker 1972):

Do a Cross Extend instead of Extend. From a Mini-Wave Box, Cross Follow Thru is identical to Weave. From a Single 1/4 Tag, Cross Follow Thru is a Cross Extend and Arm Turn 1/4. From either of the above-mentioned starting formations, Cross Follow Thru ends in a Wave. EN: 519

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Cross Horseshoe Turn [C4]:

From a 2 x 4 with the Ends in Columns facing Out. Ends Cross Cloverleaf (as one movement, Half Sashay and Cloverleaf) as the Centers 1/4 In and Cross Trail Thru. Generalized Columns end in an Eight Chain Thru. This is a 2-part call for the Centers. EN: 95

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Cross Lockit [C3B] (Lee Kopman):

From a Wave or a Two-Faced Line. As one movement, Lockit and Spread. Ends in a Wave or Two-Faced Line. EN: 106

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Cross Roll To A Wave | Line [C1] (Chuck Peel 1971):

From any Line of 4. Centers Cross Run as Ends Run. A Two-Faced Line ends in a Wave and vice-versa. This is the opposite of Switch The Wave. EN: 400

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Cross Roll To A(n) Diamond | Hourglass | Interlocked Diamond [C4]:

From Parallel Waves (or applicable Parallel Lines). Centers Cross Run as Ends do your part Diamond | Hourglass | Interlocked Diamond Circulate. A better name for this call might be Cross Switch To A(n) Diamond | Hourglass | Interlocked Diamond. EN: 406

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Cross Scoot & Weave [C4]:

From a Single 1/4 Tag. Cross Extend, Arm Turn 1/2, and Weave. Ends in an opposite-handed Wave. EN: 545

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Cross Scoot Back [C4]:

From a Single 1/4 Tag. Cross Extend; Arm Turn 1/2; Extend. Ends in an opposite-handed Single 3/4 Tag. EN: 494

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Cross Scoot Chain Thru [C4]:

From a 1/4 Tag. Cross Extend ('Extend to the wrong hand'), Swing, Slip, Swing, and Extend. Ends in an opposite-handed 3/4 Tag. EN: 420

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Cross The "K" [C2] (Bill White 1970):

From Facing Lines, Eight Chain Thru, or other applicable formations. Cross Trail Thru; Centers Trade as Ends U-Turn Back by turning away from the Center (i.e., 1/4 Out & Roll). EN: 136

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Cross To A(n) Diamond | Hourglass | Interlocked Diamond [C4]:

From Parallel Waves (or applicable Parallel Lines). Centers Crossover Circulate as Ends do your part Diamond | Hourglass | Interlocked Diamond Circulate. EN: 407

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Cross Trail [obsolete]:

From a Couple. Left-shoulder Partner Tag. Ends in Back-to-Back Dancers. EN: 141

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Cross Trail Thru [A1]:

From Facing Couples (or R-H Wave). Pass Thru; Half Sashay. Ends in Back-to-Back Couples. EN: 134

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Cross Trail Thru To The Corner [A1V]:

Cross Trail Thru and 1/4 Out (turn 1/4 in place away from your partner). Cross Trail Thru To The Corner is sometimes called from normal (1P2P) Facing Lines prior to an Allemande Left. Alternative definition: Pass Thru and Left-shoulder Partner Tag. EN: 135

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Cross Your Neighbor [C1] (Gus Greene 1969):

From a Mini-Wave Box or applicable T-Bone 2 x 2. Leaders 1/2 Box Circulate & U-Turn Back as Trailers Cross Extend & Arm Turn 3/4. A Mini-Wave Box ends in an opposite-handed Two-Faced Line. EN: 434

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Curli-Cross [C4] (Lee Kopman 1968):

From Facing Couples or a R-H Wave. Curlique (Touch; Boy does his part Right Arm Turn 1/4 as Girl Left-face 3/4 Turn to end in the Boy's original starting position); Trailers diagonal L-H (outside hand) pull by. Ends in Back-to-Back Couples. This is a 2-part call. Curli-Cross, which was once on the A1 list, was the inspiration for anything & Cross. EN: 120

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Curli-Pass [C4] (Lee Kopman 1976):

From applicable formations. Those designated (or those facing) Curlique; those facing Pass Thru. This is a 2-part call. The Pass Thru usually involves an inactive dancer(s). EN: 878

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Curlique [C4] (Clarence Watson 1961):

From Facing dancers of opposite sex (or a R-H Mini-Wave). Using Right hands, the lady places the back of her hand into the man's raised palm: Touch; man does his part Right Arm Turn 1/4 as lady Left-face 3/4 Turn to end in the man's original starting position. Ends in a R-H Mini-Wave. EN: 877

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Curve direction [C4] (Dave Hodson 1985):

As one movement, Press direction while individually turning toward that direction. Direction can be In, Out, Left, or Right and is relative to the Center of the Set. EN: 646

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Cut The Diamond [Plus] (Lee Kopman 1973):

From a Diamond. Centers do your part Diamond Circulate as Points slide together and Trade to end in the furthest Center position. A normal Diamond ends in a Two-Faced Line. EN: 422

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Cut The Hourglass [A2] (Tim Ploch):

From an Hourglass. Points slide together and Trade as Centers Hourglass Circulate. Usually ends in Parallel Lines. EN: 378

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Cy-Kick [C4]:

From applicable formations. Center 4 2/3 Recycle as Outsides do your part Beaus Kick Off. EN: 691

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Cycle And anything [C4]:

From applicable formations. Mini-Wave dancers Recycle as Others do the anything call. For example, (from a 3 & 1 Line) Cycle And Turn & Deal; (from Parallel 3 & 1 Lines) Cycle And Ferris Wheel. EN: 133

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Delete (or Skip) CONCEPT [C1V]:

Execute the given call X, omitting a given part Y. EN: 669

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Diamond Chain And Anything [C4]:

From Twin Diamonds. Diamond Circulate; Very Centers Trade; Center 4 Cast Off 1/4 as Ends U-Turn Back. Usually ends in Parallel Lines. The words 'And Anything' are actually said. EN: 394

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Diamond Chain Thru [A2] (Deuce Williams 1972):

From Twin Diamonds. Diamond Circulate; Very Centers Trade; Center 4 Cast Off 3/4. Usually ends in Parallel Lines. EN: 390

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Diamond Circulate [Plus] (Dewey Berry 1972):

From a Diamond. Walk forward to the next position in the Diamond while turning 90° toward the center of the Diamond. Centers become Points and vice-versa. Dancers facing along the Circulate path pass Right-Shoulders with each other. EN: 482

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Diamond Inlet [C4]:

From Parallel Waves, 3 By 1 Lines, or other applicable formations. In-Facing Ends and adjacent do an Inlet, as Out-Facing Ends and adjacent dancers do a 2/3 Recycle. Ends in Twin Diamonds. Same as Outeractives (Out-Facing Ends and adjacent dancers) go 2/3, all Inlet. EN: 853

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Divide & Pair [C4]:

From a Starting Double Pass Thru, Trade By, or other applicable formations. Centers Pair Off as Ends 1/4 Out and Cross Fold. Columns end in an Eight Chain Thru formation. EN: 115

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Divide The Ocean | Sea direction | anything [C3B] (Lee Kopman 1979):

From a Generalized Tidal Line. Outside 4 Cast Off 3/4 and Cross Concentric Vertical 1/2 Tag (if Ocean) or Cross Concentric Vertical Left 1/2 Tag (if Sea) as the others Hinge, Partner Tag, Press Ahead, and individually turn 1/4 toward the given direction or do the anything call. Usually ends in Parallel Lines. EN: 760

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Dixie Hourglass [C1V] (Vic Ceder 1983):

Dixie Style To A Wave; Centers 1/2 Circulate as Ends U-Turn Back. Ends in a R-H Hourglass. EN: 488

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Dixie Interlocked Diamond [C1V] (Vic Ceder 1983):

Dixie Style To A Wave; Centers Follow Thru (or Hinge & Slither) as Ends U-Turn Back, Ends in R-H Interlocked Diamonds. EN: 489

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Double Cross [A2V]:

From applicable Columns of 3. The four who can diagonally Pull By using outside hands. Some callers believe this call is poorly named, and prefer to call it as 'Center 6 (or Columns of 3) Triple Cross'. EN: 612

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Double Pass Back [C1V]:

From (starting) Double Pass Thru. 1/2 Double Pass Thru (Tandem Touch); Scoot Back. This is rarely used. EN: 627

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Double Pass Your Neighbor [C2]:

From (starting) Double Pass Thru. 1/2 Double Pass Thru (Tandem Touch); Follow Your Neighbor. EN: 731

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Double Star Thru [A1]:

From normal Facing Couples (Boy on Left, Girl on Right). Star Thru; Mirror Star Thru. Ends in Back-to-Back Couples. EN: 52

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Drop direction [C2] (Lee Kopman 1975):

From a Diamond or Generalized Single 1/4 Tag with the Centers in a Mini-Wave. Centers do your part of Extend the Tag as the Others 1/4 toward the given direction (relative to the 4-dancer formation). Adjust to end in a 2 x 2. EN: 449

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Eight By anything [C3A] (Lee Kopman 1981):

From applicable formations (such as a 2 x 4 with the outsides facing each other). Outside 4 do your part Grand Chain Eight & Roll as Centers do the anything call (working in the Center). Ends in various formations. EN: 335

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Exchange The Box [C3A]:

From a 2 x 4. Do a total of four Split Circulates, except that when you become the In-facing Center do your next Circulate to your diagonal opposite position (crossing over into the other Box). Exchange The Box can be fractionalized into fourths. EN: 326

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Exchange The Triangle [C3A] (Dave Hodson 1979):

From Twin Triangles. Do a total of three Triangle Circulates except that when 1) you become the Apex dancer (for Apex-to-Apex Triangles), or 2) you become the In-facing Base dancer (for Base-to-Base Triangles); do your next Circulate to the other Triangle. (From Apex-to-Apex Triangles, the Circulate is an Interlocked Triangle Circulate; from Base-to-Base Triangles, the Circulate is to the diagonal opposite position.) Exchange The Triangle can be fractionalized into thirds. EN: 325

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Explode And anything [Plus,A1]:

• From a Wave or Inverted Line [Plus]. As one movement, Step Thru & 1/4 In. Ends in Facing Couples.
• From a Generalized Line [A1]. As one movement, Centers Step Ahead & 1/4 In as Ends 1/4 In & Step Ahead. Adjust as necessary to end in Facing Couples.

 EN: 127

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Explode The Diamond [C3B] (Dave Hodson 1974):

From Twin Diamonds, a 3/4 Tag, or other applicable formations. Centers Explode The Wave as Ends Circulate and the Lead End U-Turn Back. Twin Diamonds end in Parallel Inverted Lines. EN: 128

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Explode The Line [A1] (Bill Shymkus 1964):

As one movement, Centers Step Ahead & 1/4 In as Ends 1/4 In & Step Ahead and all adjust as necessary to end in Facing Couples; Right Pull By. Ends in Back-to-Back Couples. EN: 126

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Explode The Top [C3A] (Holman Hudspeth 1969):

From Parallel Lines. Explode; End Beau Circulate 1 & 1/2 as End Belle Circulate, Veer inward, and U-Turn Back as Centers Touch 1/2 and the Very Centers Cast Off 3/4 while the other Center Step Ahead to form a R-H Star (Hint: the Center who Stepped Ahead should raise their Left hand to indicate that they are leading the Unwrap The Star); turn the Star 1/4 and the leader of the Unwrap walks forward as everyone else follows to Unwrap The Star, and everyone Face In to end in Facing Lines. EN: 129

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Explode The Wave [Plus] (Jack Lasry 1965):

From a Wave (or Inverted Line). Step Thru & turn 1/4 toward the center of the Line; Right Pull By. Ends in Back-to-Back Couples. EN: 130

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Face In | Out [MSV]:

Individually turn 1/4 in place toward (Face In) or away from (Face Out) the center of the set. EN: 110

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Fan Concept [C3B]:

The Fan CONCEPT is used on calls which begin with an Arm Turn 1/2 (Swing) followed by a Centers Cast Off 3/4. Omit the initial Arm Turn 1/2 and do the given call. EN: 784

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Fan The Top [Plus] (Deuce Williams 1967):

From a Line or Diamond with the Centers in a Mini-Wave; or from Facing Couples, in which case dancers first Step To A Wave. Centers Arm Turn 3/4 as Ends walk forward in an arc, turning 90°, to move up 1/4 of a circle around the center of the 4-dancer formation. A Wave or Facing Couples ends in a Wave. EN: 355

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Fan Thru [C4] (Tom Tarleton 1967):

From Facing Couples or a R-H Wave. Step to a Wave if necessary; Centers Trade; all Step Thru. Ends in Back-to-Back Couples. Fan Thru is choreographically equivalent to Reverse Swap Around and, in our opinion, a smoother call. EN: 66

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Fascinating anything [C2] (Johnny Preston 1979):

From Parallel Waves, Parallel Two-Faced Lines, or other applicable formations. Centers Any Hand 3/4 Thru as Ends Circulate once and a half; Outside 4 of the Line of 6 Concentric anything as lonesome outside dancer Counter Rotate 1/4. Usually ends in a generalized 1/4 Tag or Twin Diamonds. EN: 850

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Flip Back [C1] (Lee Kopman 1973):

From a Wave. 1/2 Flip The Line; Scoot Back. Ends in a Mini-Wave Box. EN: 628

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Flip The Diamond [Plus] (Deuce Williams 1973):

From a Diamond. Centers do your part Diamond Circulate as Points Flip In (180°) towards the the nearest Center position. A normal Diamond ends in a Wave. EN: 373

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Flip The Hourglass [A2] (Tim Ploch):

From an Hourglass. Outsides flip in (Phantom Run) as Centers Hourglass Circulate. Usually ends in Parallel Lines. EN: 379

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Flip Your Neighbor [C2] ("Foggy" Thompson 1973):

From A Wave. 1/2 Flip The Line; Follow Your Neighbor. Ends in an opposite-handed Wave. EN: 732

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Flowing anything [C4]:

Do a With The Flow; then Finish the anything call (i.e., Replace the first part of the anything call with a With The Flow). EN: 716

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Fly The Coop [C4] (Vic Ceder):

From Tidal Wave or Line.

1. Very Centers Grand Cross Run (work toward the far end and cross run around everyone);
2. Everyone Trade;
3. Very Centers Grand Cross Run;
4. Everyone Trade;

4-part call.

Also possible from Wave of 6.

From Point-to-Point Diamonds: 1/2 Fly The Coop EN: 956

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Follow Your Neighbor [Plus] (Deuce Williams 1968):

From a Mini-Wave Box or applicable T-Bone 2 x 2. Leaders as one movement 1/2 Box Circulate & U-Turn Back as Trailers Extend & Arm Turn 3/4. A Mini-Wave Box ends in an opposite-handed Wave. EN: 431

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Grand 1/4 (or 3/4) Thru [A1]:

From R-H Columns or other applicable formations. Everyone who can Right Arm Turn 1/4 (or 3/4); Everyone who can Left Arm Turn 1/2. Grand 1/4 (or 3/4) Thru is to 1/4 (or 3/4) Thru as Grand Swing Thru is to Swing Thru. EN: 91

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Grand Cross Back [C2]:

From Columns or other applicable formations. Out-Facing Ends U-Turn Back as the others diagonally Pull By using outside hands. Columns end in opposite-handed Columns. EN: 613

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Grand Cross Roll To A Wave [C4]:

From a Generalized Tidal Line. Center Pairs of dancers Grand Cross Run (like a Grand Slip-Slide) as very End dancers Run. Grand Cross Roll To A Wave is the same as Grand Working As Centers Cross Roll To A Wave. EN: 601

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Grand Cross Your Neighbor [C1V]:

From Parallel Columns of {n}. #1 dancer, as one movement, 1/2 Circulate & U-Turn Back (Roll twice) as the Others Grand Cross Extend (1/2 Circulate and Slide nose-to-nose) and Arm Turn 3/4. Ends in a Line of 2n. EN: 17

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Grand Erase [C4]:

From applicable formations (usually a Tidal Line). Very Outside 2 dancers Counter Rotate 1/4 as the others U-Turn Back. EN: 451

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Grand Follow Thru [C1V]:

From Columns or other applicable formations. 1/2 Grand Scoot Back. From normal Columns, Grand Follow Thru is a 1/2 Circulate; Center 6 Arm Turn 1/4. EN: 518

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Grand Follow Your Neighbor [A1]:

From Columns or other applicable formations. Out-Facing Ends 1/2 Split Circulate & U-Turn Back as the others 1/2 Circulate & Arm Turn 3/4. Columns end in a Tidal Wave. EN: 6

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Grand Left 1/4 (or 3/4) Thru [A1]:

Those who can Left Arm Turn 1/4 (or 3/4); those who meet and can Right Arm Turn 1/2. EN: 124

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Grand Left Swing Thru (or Left Grand Swing Thru) [Plus]:

From a Wave of more than 4 dancers, Facing Lines of 3 or more, or from other applicable formations. Those who can Left Arm Turn 1/2; those who can Right Arm Turn 1/2. Ends in a Wave of more than 4 dancers. EN: 722

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Grand Pass & Roll [C4]:

From a Grand Single Eight Chain Thru (e.g., from a Tidal Line after 1/4 In), or from other applicable formations. Pass Thru; Center pairs of dancers Turn Thru as Very Outsides U-Turn Back; all Pass Thru; Center pairs of dancers Pass thru and all Right Roll To A Wave. Ends in R-H Columns. EN: 542

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Grand Pass & Roll Your Neighbor [C4]:

From a Grand Single Eight Chain Thru (e.g., from a Tidal Line after 1/4 In), or from other applicable formations. Pass Thru; Center pairs of dancers Turn Thru as Very Outsides U-Turn Back; all Pass Thru; Center pairs of dancers Right Arm Turn 3/4 as Very Outsides individually turn 3/4 to the Right. Ends in L-H Tidal Wave. EN: 543

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Grand Remake [A2]:

From applicable formations consisting of more than 4 dancers. Those who can Right Arm Turn 1/4; those who meet and can Left Arm Turn 1/2; those who meet and can Right Arm Turn 3/4. EN: 401

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Grand Scoot & Dodge [NOL]:

From Mini-Wave Columns. #1 dancers Dodge, as the Others Grand Scoot Back (Grand Extend, Trade, and Grand Extend). Ends in Columns with the Ends are facing out. EN: 11

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Grand Split Square Chain Thru [C4]:

From an applicable T-Bone setup (e.g., from Facing Lines after the left-side Couple does a 1/4 In). Those facing (or those in a R-H Mini-Wave) Right Pull By and individually turn 1/4 to face the inactive dancers; all Grand Left Swing Thru; Left Turn Thru. EN: 429

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Grand Square Chain Thru [C4]:

From Eight Chain Thru (or Parallel R-H Waves). Right Pull By and 1/4 In; Grand Left Swing Thru; Left Turn Thru. Ends in Back-to-Back Lines. EN: 77

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Grand Step & Fold [C1V]:

From an applicable Line of 6 or 8 or other applicable formations. Very Ends Fold as the others Step Ahead. A Tidal Wave ends in Parallel 3 & 1 Lines. EN: 535

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Grand Swap Around [NOL]:

From appropriate Columns of 3 or 4 (e.g., a L-H 1/4 Box). Belles Circulate as Beaus Run. EN: 546

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Grand Switch (The Line | Wave) [C4] (Lee Kopman):

From a general 1 x {n} Line. The #2 dancers (those adjacent to the Very Ends) Run as the others Grand Working As Ends Cross Run. Ends in a 1 x {n} Line. Cheat: As one movement, Swing-Grand Slither. EN: 599

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Grand Switch To A Diamond [C4]:

From a Generalized Tidal Line. The #2 dancers (adjacent to the Very Ends) Run as the others Grand (Working As Ends) Diamond Circulate. EN: 600

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Half Sashay [Basic]:

From a Couple. Without changing your facing direction, exchange places by having the Belle sidestep in front of the Beau as the Beau sidestep behind the Belle. Ends in a Couple. From a Mini-Wave, do your part (i.e., from a L-H Mini-Wave, exchange places by sliding back-to-back; from a R-H Mini-Wave, exchange places by sliding nose-to-nose). EN: 80

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Here Comes The Judge [C2] (Ralph Pavlik 1968):

From a Line (usually of 4) in which both Ends are facing the same direction. The End Belle (Right-most End) do your part Ends Trade, as the Others Run one position towards the original End Belle's position. Ends in a Line. Here Comes The Judge is the same as Prefer the End Belle for an Out Roll Circulate. EN: 367

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Hinge The Lock [C3A] (Lee Kopman 1974):

From an applicable non T-Bone 2 x 2. Hinge; Lockit. Ends in a Wave. EN: 103

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Hocus Pocus [C2] (Norm Poisson 1979):

From applicable formations including all 2 x 4 setups, Twin Diamonds, 1/4 Tag, etc. Outside 4 dancers do two Phantom "O" Circulates as Center 4 Trade. EN: 396

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Horseshoe Turn [A1] (Doug Johnston 1965):

From Columns with the Ends Facing Out, or from other applicable formations. Ends Cloverleaf as Centers Partner Tag. Columns end in an Eight Chain Thru. EN: 93

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Hourglass Circulate [A2]:

From an Hourglass. The Circulate path of an Hourglass consists of 8 spots. Move forward to the next position in the Hourglass, moving from a Diamond position to a Box position or vice-versa. Change your facing direction (by 90°) if and only if you are moving to or from the Point of the Center Diamond. If the Circulate does not involve dancers ending on the same spot, then Hourglass Circulate ends in an Hourglass. EN: 377

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In Roll Circulate [A2]:

From Parallel Lines in which the Ends all have their right-shoulder toward the center, or all have their left-shoulder toward the center. In-Facing Ends Circulate as the Others Flip (180°) one position down the line toward the vacated End position. Ends in Parallel Lines. EN: 366

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In Roll To A Diamond [C4]:

From Parallel Lines in which the Ends all have their right-shoulder toward the center, or all have their left-shoulder toward the center. In-Facing Ends and adjacent Centers do your part of In Roll Circulate as the Others slide sideways toward the Center (to become Centers) and Hinge. Ends in Twin Diamonds. EN: 374

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In Roll To A Wave [C4]:

From Twin Diamonds or Parallel Lines in which the Ends all have their right-shoulder toward the center, or all have their left-shoulder toward the center. Ends do your part of In Roll Circulate as the Centers move toward the vacated End position (without changing their facing direction) and Hinge. Twin Diamonds end in Parallel Lines; Parallel Lines end in a C1 Phantom position. EN: 375

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Inner Code [obsolete]:

From any formation in which there is a Center 2 x 2. Center 4 Face In (Inner Code 1); Pass Thru (Inner Code 2); Face In (Inner Code 3); etc. EN: 862

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Interlocked Little [C3A]:

From a 3/4 Line or other applicable formations. Outsides 1/4 Right & Counter Rotate 1/4 as Centers Step & Cross Fold (Ends Cross Fold as Centers 1/2 Press Ahead). EN: 299

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Interlocked Plenty [C3A]:

From a Generalized 1/4 Line or other applicable formations. Do an Interlocked Little [C3A] (Centers Step & Cross Fold as Outsides 1/4 Right & Counter Rotate 1/4); Split Circulate twice; Outsides Counter Rotate 1/4 and Roll as the Center four Concentric 1/2 Zoom. Usually ends in a 1/4 Tag. EN: 222

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Interlocked Rally [C3B]:

From a Generalized 1/4 Line or other applicable formations. Outsides Rally as the Centers Step And Cross Fold (Interlocked Little) and Peel & Trail. A Generalized 1/4 Line ends in a Tidal Line. This is a 2-part call for the Centers. EN: 777

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Interlocked Ramble [C3B]:

From a 3/4 Line or other applicable formations. Outsides Cast Back as Centers Once Removed Fold to face (danced as an Any Shoulder Turn & Deal); all Slide Thru. EN: 554

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Invert Your Neighbor [C2]:

From Parallel Columns. 1/2 Invert The Column; Follow Your Neighbor. EN: 733

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Isolate [C4]:

Counter Rotate 1/4 with respect to the center of your Line or Diamond. EN: 448

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Jay Concept [C3A]:

From a general 1/4 Tag or other applicable formations. Work in a Distorted Box with the dancers with whom you would normally Jaywalk. EN: 332

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Keep Busy [C3A] (Lee Kopman 1977):

From Parallel Two-Faced Lines. Leaders Couples Circulate With The Flow (Ends Walk, Centers Dodge) as Trailers 1/2 Circulate, Very Centers Hinge, Flip The Diamond, Step & Fold (Centers Step Ahead as Ends Fold). Ends in Parallel Waves. This is a 4-part call for the Trailers. EN: 256

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Kick The Habit [C4] (Lee Kopman 1979):

From applicable formations. Center 4 do your part Leads Kick Off as Others Counter Rotate 1/4. EN: 690

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Latch On (fraction) [C3A] (Lee Kopman 1975):

From a Generalized Tandem. Right Roll to a Wave, Arm Turn 1/4 (or the designated fraction). Ends in a R-H Mini-Wave. This is a 2-part call. EN: 101

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Leader | Trailer [MSV]:

From a generalized Tandem (a 1x2), a 2x2, or other applicable formation. The Leader is the out-facing dancer and the Trailer is the in-facing dancer. EN: 15

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Left 1/4 (or 3/4) Thru [A1]:

Start with the left hand instead of the right hand. That is, Those who can Left Arm Turn 1/4 (or 3/4); those who meet and can Right Arm Turn 1/2. EN: 90

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Left 3/4 Tag [PLV]:

From a Line of 4. Turn 1/4 toward the center of the Line, step forward passing left-shoulders to a Left-Handed Single 3/4 Tag formation. EN: 479

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Left Split Square Thru (n) [A1]:

Start with the left hand. EN: 85

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Left Square Chain Thru [A1]:

Start with the Left hand (i.e., Left Pull By and 1/4 In; (Right) Swing Thru; Turn Thru). EN: 74

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Left Touch [NOL]:

From Facing Dancers. Step forward and to the Right to end side-by-side with Left-hands joined. EN: 159

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Left Track 2 [NOL]:

Do the Mirror Image of a Track 2. That is, Beaus go inside as Belles go outside, passing left-shoulders, to end in Parallel L-H Waves. EN: 360

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Left Turn Thru [Mainstream] (Wayne Moyers 1964):

From Facing Dancers or a L-H Mini-Wave. Left Arm Turn 1/2 then (drop hands) and Step Thru. Ends in Back-to-Back Dancers. EN: 73

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Lickety Split [C3B] (Lee Kopman):

From an applicable 2 x 4. Ends Split Circulate as Centers Split Counter Rotate 1/4. Ends in a 2 x 4. EN: 444

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Lift Off [C3B] (Ron Schneider と Lee Kopman 1976):

From a Static Set with two opposite couples Facing Out or from the 2 x 4 formation obtained from a Static Set after Heads Pass Thru. Leaders As Couples 1/4 Right as others Left Dodge; Belles Distorted Box Circulate; As Couples Extend; Couples Circulate. Ends in Parallel R-H Two-Faced Lines. EN: 765

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Like A anything [C4]:

Do the last part of the anything call. EN: 571

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Line Of n Turn & Deal [NOL]:

From a Line of n (n is an even number, usually 6 or 8). Do a 1/2 Tag in the Line of n, then turn 1/4 in place toward your initial turning direction. Ends in Parallel Lines of n/2. EN: 41

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Linear (fraction) Tag [C4]:

From a Wave or applicable Line of 4. Hinge; Leaders Fold; Extend to the given fractional Tag position. If no fraction is given, complete a full Tag The Line. EN: 590

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Linear Action [C1] (Lee Kopman 1982):

From a Generalized 1/4 Tag or other applicable formations. Centers Hinge & Box Circulate 1 & 1/2 as Outsides Hinge & Trade; those who meet (Center 4) Cast Off 3/4 as the Others move up (as in Chain Reaction). Ends in Parallel Waves, Parallel 3 & 1 Lines, or a Parallelogram (if outside dancers end on the same spot). EN: 560

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Linear Action But anything [C1V]:

Do a Linear Action but replace the Centers Cast Off 3/4 with the Centers doing the anything call. EN: 563

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Linear Action But Cross It [C4]:

Do a Linear Action but after the Centers Box Circulate 1 & 1/2, do a Very Centers Slither and then complete the call. EN: 562

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Linear Cycle [Plus] (Dave Hodson と Lee Kopman 1979):

From a Wave or applicable Line of 4. Hinge; Leaders Fold behind Trailers (who do not adjust); Any Shoulder Double Pass Thru; Peel Off in direction of Shoulder Pass to end in Facing Couples. This is a 4-part call. From a Wave, Linear Cycle is similar to Recycle And Sweep 1/4. EN: 561

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Linear Flow [C4]:

From Parallel Waves or applicable Lines. Linear 1/2 Tag (Hinge; Leaders Fold, Extend to Parallel Waves); Split Circulate Twice; Centers Trade. Ends in Parallel Waves. EN: 589

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Lock The Hinge [C3A] (Lee Kopman 1974):

From a Wave or a Two-Faced Line. Lockit; Hinge. Ends in a Mini-Wave Box. EN: 104

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Locker's Choice [C3A] (Lee Kopman 1981):

From Parallel Waves. Lockit; Center Wave Lockit as Others Trade; Center Wave Hinge as Others Step & Fold (Centers Step Ahead as Ends Fold). Ends in opposite-handed Parallel Waves. This is a 3-part call. EN: 105

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Loop & (fraction) Tag [C3B] (Emanuel Duming 1972):

From a Mini-Wave Box, Tandem Couples, or applicable "Z". Leaders Peel Off and Roll and Step Ahead as Trailers follow the Leaders in Tandem (Peel The Deal); Extend to the given fractional Tag position. EN: 820

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Magic Diamond Concept [C4] (Dave Hodson 1979):

From Twin Diamonds. A Magic Diamond is a Distorted Diamond in which the Centers of one Diamond work with the points of the other Diamond. EN: 776

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Magic File To A Line [C2V]:

Ends Spread apart as Centers do two Phantom Column Magic Column Circulates; all adjust to end in adjacent Lines. EN: 711

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Magic Hocus Pocus [C2V]:

Outsides do two Phantom "O" Magic Column Circulates as Centers Trade. EN: 846

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Magic Line | Wave Concept [C4] (Dave Hodson 1979):

From Parallel Lines | Waves. A Magic Line | Wave is a Distorted Line | Wave in which the Ends of one Line work with the Centers of the other Line. EN: 800

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Magic Walk Out To A Wave [C2V]:

From Columns. First 2 Magic Trail Off and new Ends Run as #3 Circulate, Dodge (toward Center of Set), and U-Turn Back (by turning toward Center of Set) as #4 Magic Column Circulate, Column Circulate, Dodge (toward Center of Set) and Veer Out to become Ends of a Wave. Magic Columns end in Parallel Waves. The idea is that everyone follows the #1 dancer within their Magic Column as that dancer does a normal Walk Out To A Wave. EN: 895

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Mini-"O" FORMATION [C1V]:

A Mini-"O" is a 6-dancer "O" with 2 Centers and 4 Ends. EN: 641

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Mini-Butterfly [C1V]:

A Mini-Butterfly is a 6-dancer Butterfly. E.g., from an Hourglass Ignore the points of the Center Diamond. EN: 578

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Mirror Circle (fraction) To A Wave [C3B]:

From Facing Couples. Circle Right 1/4 (or the given fraction); Belles Walk as Beaus Dodge. Ends in a L-H Mini-Wave Box. This call has historically been known as Reverse Circle (fraction) To A Wave. EN: 595

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Mirror Concept [C3B] (Vic Ceder):

The Mirror CONCEPT is accomplished by executing the definition of the given call and replacing: Right with Left and vice-versa; and Beau with Belle and vice-versa. EN: 781

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Mirror Star Thru [NOL]:

Do the mirror image of a Star Thru. That is... From Opposite-Sex Facing Dancers. Boys use Left-hand palm forward as Girls use Right-hand palm forward. Touch hands palm-to-palm, walk forward into the other dancer's starting position, Girls turning under the arch 1/4 to the Right, as Boys turn 1/4 to the Left. Ends in a Couple. EN: 51

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Nuclear Reaction [C3B] (Lee Kopman 1988):

From a Generalized 1/4 Tag in which the Very Centers are directly facing an outside dancer. Very Centers and directly-facing outside dancers Pass Thru; Center 4 Cast Off 1/4 and Roll and Spread to become Ends of Lines as the Others Cross Concentric Vertical 1/2 Tag; all Counter Rotate 1/4. Ends in Parallel Lines. EN: 787

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Oddly | Evenly Concept [C3B] (Vic Ceder):

Oddly: Break up the anything call into its component parts. Do the odd-numbered parts working any Concept and the even-numbered parts normally.

Evenly: Break up the anything call into its component parts. Do the even-numbered parts working any Concept and the odd-numbered parts normally.

 EN: 811

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Open Up But anything [C3A]:

From Columns. #1 dancer Trail Off & Roll as #2 dancer Circulate, Peel Off & Roll as #3 and #4 dancers Circulate and do the anything call. EN: 414

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Open Up The Column [C3A] (Lee Kopman):

From Columns. #1 dancer Trail Off & Roll as #2 dancer Circulate, Peel Off & Roll as #3 and #4 dancers Circulate; Centers Cast Off 3/4; all Extend. Ends in Parallel Waves. EN: 60

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Out Roll Circulate [A2]:

From Parallel Lines in which the Ends of each Line are facing opposite directions. Out-Facing Ends Circulate as the Others Flip (180°) one position down the line toward the vacated End position. Ends in Parallel Lines. EN: 362

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Out Roll To A Diamond [C4]:

From Parallel Lines in which the Ends of each Line are facing opposite directions. Out-Facing Ends and adjacent Centers do your part of Out Roll Circulate as the Others slide sideways toward the Center (to become Centers) and Hinge. Ends in Twin Diamonds. EN: 370

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Out Roll To A Wave [C4]:

From Twin Diamonds or Parallel Lines in which the Ends of each Diamond or Line are facing opposite directions. Ends do your part of Out Roll Circulate as Centers move toward the vacated End position (without changing your facing direction) and Hinge. Twin Diamonds end in Parallel Lines; Parallel Lines end in a C1 Phantom position. EN: 371

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Outer Code [obsolete]:

From applicable formations. Outsides 1/4 In (Outer Code 1) and continue as in Zip Code. EN: 861

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Partner Hinge [A1]:

From a Mini-Wave or Couple. Do 1/2 of a Trade. Ends in a Mini-Wave. From a Mini-Wave, Partner Hinge is an Arm Turn 1/4; from a Couple, Partner Hinge is 1/2 of a Partner Trade (as one movement, Face each other and Step to a Right-hand Mini-Wave). The word 'Partner' is optional: the word 'Hinge' is sufficient to describe this movement. Usually, however, the caller uses the term 'Partner Hinge' from a Couple, and 'Single Hinge' from a Mini-Wave. EN: 98

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Partner Tag [A1] (Willard Orlich 1970):

From a Couple or Mini-Wave. Turn 1/4 in place to face the adjacent dancer (1/4 In); Pass Thru. Ends in Back-to-Back Dancers. EN: 94

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Partner Trade [Basic]:

From a Mini-Wave or Couple. Walk forward, while turning 180°, to exchange places with the adjacent dancer. When starting from a Couple, pass right-shoulders as you go. A Mini-Wave ends in a Mini-Wave, a Couple ends in a Couple. EN: 97

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Pass & Roll [A2] (Lee Kopman 1972):

From a Single Eight Chain Thru (or a R-H Mini-Wave Box). Pass Thru; Centers Turn Thru as Ends Right-face U-Turn Back; Pass Thru; Centers Pass Thru and all Right Roll To A Wave. Ends in a R-H Mini-Wave Box. EN: 410

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Pass & Roll Your Neighbor [A2]:

From a Single Eight Chain Thru (or a R-H Mini-Wave Box). Pass Thru; Centers Turn Thru as Ends Right-face U-Turn Back; Pass Thru; Centers Right Arm Turn 3/4 as Ends individually turn 3/4 to the Right. Ends in a L-H Wave. EN: 411

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Pass & Roll The Axle [C4] (Ross Howell):

From Eight Chain Thru (or Parallel R-H Waves). Pass Thru; Centers Turn Thru as Ends Right-face U-Turn Back; all Pass The Axle. Ends in Facing Lines. This call must be memorized as a separate call since it is not a Pass & Roll [A2] followed by The Axle [C1]. We believe callers should avoid using this call. EN: 484

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Pass & Roll Your Criss Cross Neighbor [C2V]:

From a Single Eight Chain Thru (or a R-H Mini-Wave Box). Pass Thru; Centers Turn Thru as Ends Right-face U-Turn Back; Pass Thru; Centers Left Arm Turn 3/4 and Spread as Ends 1/4 Right & Cross Run to the far Center, making a wide arc so as to move around the Centers. Ends in a L-H Wave. EN: 433

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Pass & Roll Your Cross Neighbor [C1V]:

Same as Pass & Roll Your Neighbor except that the Right Arm Turn 3/4 becomes a Left Arm Turn 3/4. Ends in a L-H Two-Faced Line. EN: 432

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Pass Right | Left [NOL]:

From Facing Dancers or a R-H Mini-Wave. Pass Thru; Face Right | Left (individually turn 1/4 in place to the Right | Left). Ends in a R-H | L-H Mini-Wave. EN: 109

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Pass The Ocean [Mainstream] (Holman Hudspeth 1965):

From Facing Couples. Pass Thru; 1/4 In; Touch (Step To A R-H Wave). Ends in a R-H Wave. EN: 157

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Peel & Trail [A2] (Lee Kopman 1966):

From an applicable 2 x 2 or "Z". Leaders Peel Off as Trailers Trail Off. A Mini-Wave Box ends in a Wave; Tandem Couples end in a One-Faced Line. EN: 346

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Peel & Trail The Wave [C4]:

From Parallel Waves. Complete The Tag (Extend Twice); Peel & Trail. Ends in Facing Lines. EN: 351

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Peel And anything [NOL]:

From an applicable 2x2 or "Z". Leaders Peel Off as Trailers step forward if necessary and do the anything call. EN: 350

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Peel Off [Plus] (Howard Liffick 1962):

From an applicable 2 x 2 (usually a Mini-Wave Box or Tandem Couples) or a "Z". As one movement, Leaders flip away (180°) from the center of the 4-dancer formation and step forward if necessary as the Trailers step forward if necessary and U-Turn Back by turning away from the center of the 4-dancer formation. A Non-T-Bone starting formation always ends in a Line. EN: 347

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Peel The Deal [C4] (Vic Andrews 1963):

From a Mini-Wave Box, Tandem Couples, or applicable "Z". As one movement, Leaders Peel Off and Roll and Step Ahead as Trailers follow the Leaders in Tandem (i.e., Step Ahead, Peel Off, & Roll). Ends in a Single Double Pass Thru (Zero Tag) formation. Cheat: Tandem 3/4 Out. EN: 725

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Peel The Top [Plus] (Melvin Roberts 1973):

From an applicable 2x2 or "Z". Leaders Peel Off as Trailers Step Forward if necessary; all Fan The Top. A Non-T-Bone starting formation ends in a Wave. EN: 538

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Peel To A Diamond [C2] (Bill Trench 1973):

From an applicable 2 x 2 or "Z". Leaders Peel Off as Trailers Extend if necessary and Hinge. Ends in a Diamond. EN: 723

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Percolate But anything [C1V]:

Circulate 1 & 1/2; those in the Center Line do the anything call as the others Any Hand Turn Thru. EN: 597

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Phantom Columns | Lines | Waves Concept [C3B] (Keith Gulley 1977):

From a 4 x 4 Matrix, visualized as 4 adjacent Columns | Lines | Waves. Inside Columns | Lines | Waves work together in a 2 x 4 Matrix as the Outside Columns | Lines | Waves work together in a (Disconnected) 2 x 4 Matrix. EN: 803

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Pitch direction | anything [C4] (Lee Kopman 1977):

From a Generalized Tandem. Leaders, as one movement, 1/4 Right and Run as Trailers Circulate (Press Ahead) and 1/4 toward the given direction or do the anything call. EN: 549

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Quadruple formation Concept [C3B]:

Quadruple formations consist of four adjacent formations some of which have positions occupied by phantoms. Typically, the given formation is a 4-dancer formation such as a Box, Column, Diamond, Line, or Wave. EN: 836

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Reactivate [C3B]:

From an applicable Generalized 1/4 Tag. Very Centers and directly-facing Outside dancers Pass Thru as the End of the Center Line Counter Rotate 1/4 around the outside; Center 6 Trade; Very Outsides and the Very Centers Phantom Hourglass Circulate. Ends in Parallel Lines or Parallelogram Parallel Lines (if dancers come to the same spot). EN: 757

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Reciprocate [C4] (Hank Drumm 1974):

From applicable formations such as a Generalized 1/4 Tag or Generalized Columns in which the centers are facing. Centers Spin The Windmill as Ends Divide and Touch 3/4. Usually ends in Columns. EN: 459

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Recycle [Mainstream] (Lee Kopman 1974):

From a Wave. Centers Fold behind Ends and all adjust to a Mini-Wave Box; Box Counter Rotate 1/4; Roll. Ends in Facing Couples. EN: 440

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Recycle [from Facing Couples] [A2] (Lee Kopman 1974):

From Facing Couples. Beaus 1/2 Box Circulate and Right-face U-Turn Back as Belles Left Dodge and Veer Left. Ends in a R-H Wave. EN: 437

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Relay The Shadow [C1] (Lee Kopman 1975):

From a Tidal Wave, Facing Lines, or other applicable formations. Arm Turn 1/2; Center 6 Cast Off 3/4 as Very Ends Counter Rotate 1/4; resulting Center Wave Arm Turn 1/4 & Spread (to become Ends of Parallel Waves) as Others do the Centers part of Cast A Shadow (Leaders Cloverleaf as Trailers Extend; Arm Turn 1/4; Extend). Ends in Parallel Waves. EN: 150

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Relay The Shadow anyone Criss Cross [C2V]:

From Facing Lines or a Tidal Wave. Do a Relay The Shadow, but those doing the Center's part of Cast A Shadow (the anyone dancers) do the Center's part of Criss Cross The Shadow [C2] instead. Ends in Parallel Two-Faced Lines. EN: 530

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Release The Column [obsolete]:

From Mini-Wave Columns. #2 and #4 Press Out; all Finish Ferris Wheel. Ends in Starting Double Pass Thru. This was the original 'Release' call. EN: 238

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Relocate (The formation) [C2]:

From an Hourglass, "H", Mini-Butterfly, Point-to-Point Diamonds, Tidal Line, or other applicable formations. Very Centers Arm Turn 3/4 as the Others Counter Rotate 1/4. Symmetric setups end in the starting formation rotated by 90°. EN: 911

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Relocate The Hourglass [C2] (Tim Ploch):

From an Hourglass. Very Centers Arm Turn 3/4 as the Others Counter Rotate 1/4. EN: 383

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Remake [A2] (Vince Di Caudo 1972):

From a R-H Mini-Wave Box, a Facing Diamond with the Centers in a R-H Mini-Wave, or from other applicable 3- or 4-dancer formations. Those who can Right Arm Turn 1/4; those who meet and can Left Arm Turn 1/2; those who meet and can Right Arm Turn 3/4. Usually ends in the same formation as the starting formation. Remake is a 1/4 Thru followed by a Right Arm Turn 3/4. EN: 29

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Remake The Thar [A2] (Oscar Hilding 1971):

From a Thar. Arm Turn 1/4 (to an Alamo Ring); alternating hands, Arm Turn 1/2; alternating hands, Arm Turn 3/4. Ends in a Thar. EN: 403

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Reset [C3B] (Keith Gulley と Russ McGowan):

From a Mini-Wave Box (or other applicable 2 x 2 if fractionalized). 1/2 Zoom; Hinge; 1/2 Zoom; Hinge. Ends in a Mini-Wave Box. Reset is a 4-part call. EN: 804

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Reverse Checkpoint anything By anything [C3B] (Vic Ceder 1985):

From applicable formations. Center 4 do the first anything call and the resulting Ends (of that Center 4) move away from the Center of the Set without changing their facing direction (i.e., Stable). The Others (original Outsides) work around the Very Centers to do the second anything call, ending as close as possible to the positions vacated by the resulting Ends of the Center 4. EN: 755

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Reverse Crazy CONCEPT [C2]:

Centers do the given call; each side do the given call; Centers do the given call; each side do the given call. This is a 4-part concept. EN: 830

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Reverse Cut The formation [C4]:

From the given formation. Those with handholds Trade and Spread as others formation Circulate. Formation can be "O", Butterfly, (Wave-Based) Triangle, 3 By 1 Triangle, Short Six, Tall Six, "Z", etc... EN: 872

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Reverse Cut The Diamond [C2]:

From a Diamond. Centers Trade & Spread as Points Diamond Circulate. Ends in a Line. EN: 520

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Reverse Cut The Galaxy [C1]:

From a Galaxy. Centers Trade & Spread as Points Galaxy Circulate. Ends in Parallel Lines. EN: 870

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Reverse Explode [from a Line] [C4]:

From any Line of 4. As one movement, Ends Step Ahead and 1/4 Out as Centers 1/4 Out and Step Ahead. Adjust as necessary to end in Back-to-Back Couples. Reverse Explode [from a Line] was voted off the C1 list several years ago, and is rarely used at any level any more. EN: 131

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Reverse Explode [from a Wave] [C1]:

From a Wave or Inverted Line. As one movement, Step Thru & 1/4 Out. Ends in Back-to-Back Couples. EN: 541

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Reverse Flip The formation [C4]:

From the given formation. Those with handholds Phantom Run as others formation Circulate. Formation can be "O", Butterfly, (Wave-Based) Triangle, 3 By 1 Triangle, Short Six, Tall Six, "Z", etc... EN: 873

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Reverse Flip The Diamond [C2]:

From a Diamond. Centers Phantom Run (Flip away from each other) as Points Diamond Circulate. Ends in a Line. EN: 720

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Reverse Flip The Galaxy [C1]:

From a Galaxy. Centers Phantom Run as Points Galaxy Circulate. Ends in Parallel Lines. EN: 871

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Reverse Flip The Hourglass [C4]:

From an Hourglass. Those in the Diamond flip away from the Center of the set as the Others Hourglass Circulate. A normal Hourglass ends with a Center Wave between two Mini-Waves (i.e., like a Thar, but with some dancers further from the Center). EN: 384

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Reverse Order Concept [C3B]:

Break up the call into its component parts, and do the parts in reverse order. EN: 794

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Reverse Stack The Line [C4]:

From applicable 2 x 2. All 1/4 In; original Trailers move ahead to the dancer in front of them and join R-H as others adjust sideways as necessary to end in a R-H Mini-Wave Box. EN: 916

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