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Definitions of Square Dance Calls and Concepts
 
Definitions of Square Dance Calls and Concepts
 
 
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Switch To A(n) Diamond | Hourglass [A2]
   (Ron Schneider und Sandy Knowles 1973)
All levels:     

Sprache:
  
  
  
  
  
   edit def

Switch To A Diamond [A2] (Ron Schneider 1973):
From a Wave (or any Line of 4). EN: 10
Aus einer Wave (oder einer beliebigen Line of 4). DE: 10
Centers Run as Ends do your part Diamond Circulate. EN: 20
Centers Run, während die Ends ihren Teil vom Diamond Circulate machen. DE: 20
Ends in a Diamond. EN: 30
Endet in einem Diamond. DE: 30

Switch To An Hourglass [A2] (Sandy Knowles 1975):
From Parallel Waves (or applicable Parallel Lines). EN: 40
Aus Parallelen Waves (oder passenden Parallel Lines). DE: 40
Centers Run as Ends do your part Hourglass Circulate (Lead Ends 1/2 Circulate as Trailing Ends Veer Inward to end in a Mini-Wave with their opposite). EN: 50
Centers Run, während die Ends ihren Teil vom Hourglass Circulate machen (Lead Ends 1/2 Circulate, während Trailing Ends Veer einwärts und enden in einer Mini-Wave mit ihrem Gegenüber). DE: 50
Ends in an Hourglass. EN: 60
Endet in einem Hourglass. DE: 60

Switch To A Diamond:

 
 
vor
Switch To A Diamond
 nach
Centers Run während
Ends 'Diamond' Circulate
(fertig)
Switch To An Hourglass:

 
 
vor
Switch To An Hourglass
 nach
Centers Run während
Ends 'Hourglass' Circulate
(fertig)

Hinweise:
  • At A2, Switch To A Diamond should only be called from a Wave; and Switch To An Hourglass should only be called from Parallel Waves. At C1 and above, these calls may be called from any legal starting formation. EN: 70
    Im A2-level sollte Switch To A Diamond nur aus einer Wave gecallt werden; und Switch To An Hourglass sollte nur aus Parallel Waves gecallt werden. Im C1-level und darüber können diese Calls aus jeder zulässigen Startformation gecallt werden. DE: 70
  • On any Switch call, Centers do a Run (flip away from the Center of the formation). EN: 80
    Bei jedem Switch Call machen die Centers ein Run (einen Flip, weg vom Zentrum der Formation). DE: 80
  • Switch To A formation:
    Centers Run as Ends do your part of a formation Circulate. Usually ends in the given formationEN: 90
    Centers Run, während die Ends ihren Teil eines Formation-Circulate machen. Endet üblicherweise in der angesagten FormationDE: 90
  • Some glossaries define Switch To A Diamond as Centers Run + New Centers Hinge. We believe it is better to think instead about the Ends doing a Diamond Circulate. This simplifies learning future calls since you can apply the same rule (i.e., a formation Circulate) to three calls (Switch To A Diamond, Switch To An Hourglass, Switch To An Interlocked Diamond). Would you rather memorize three traffic patterns or one rule that you can use for all three calls? EN: 100
    Einige Glossare beschreiben Switch To A Diamond als Centers Run + New Centers Hinge. Wir meinen, dass es besser ist, sich stattdessen vorzustellen, dass die Ends ein Diamond Circulate machen. Dies vereinfacht das Lernen zukünftiger Calls, weil du die gleichen Regeln (das heißt ein Formations-Circulate) für drei Calls (Switch To A Diamond, Switch To An Hourglass, Switch To An Interlocked Diamond) anwenden kannst. Würdest du dir schneller drei Bewegungsschemata oder eine Regel, die du für drei Calls benutzen kannst, einprägen? DE: 100

Switch The Wave [A2] (Roger Chapman 1969):
From a Wave. Centers Run as Ends Cross Run. Ends in a Two-Faced Line. EN: 398
Aus einer Wave. Die Centers tanzen Run, während die Ends Cross Run tanzen. Endet in einer Two-Faced Line. DE: 398

Switch To An Interlocked Diamond [C1] (Sandy Knowles 1976):
From Parallel Lines|Waves. Centers Run as Ends (do your part) Interlocked Diamond Circulate. Ends in Twin Diamonds. EN: 397
Aus parallelen Lines | Waves. Die Centers tanzen ein Run, während die Ends ihren Teil eines Interlocked Diamond Circulates tanzen. Endet in Twin Diamonds. DE: 397

Switcheroo [C4] (Lee Kopman 1972):
From Parallel Waves (or applicable Parallel Lines). Switch To A Diamond; Centers Cast Off 3/4 as Ends Circulate. Parallel Waves end in Parallel Two-Faced Lines. EN: 405
Aus Parallel Waves (oder passenden Parallel Lines). Switch To A Diamond; Centers Cast Off 3/4, während Ends Circulate. Parallel Waves enden in Parallel Two-Faced Lines. DE: 405

Cross Roll To A(n) Diamond | Hourglass | Interlocked Diamond [C4]:
From Parallel Waves (or applicable Parallel Lines). Centers Cross Run as Ends do your part Diamond | Hourglass | Interlocked Diamond Circulate. A better name for this call might be Cross Switch To A(n) Diamond | Hourglass | Interlocked DiamondEN: 406
Aus Parallel Waves (oder passende Parallel Lines). Centers Cross Run, während Ends ihren Teil vom Diamond | Hourglass | Interlocked Diamond Circulate machen. Ein besserer Name könnte Cross Switch To A(n) Diamond | Hourglass | Interlocked Diamond sein. DE: 406

Cross To A(n) Diamond | Hourglass | Interlocked Diamond [C4]:
From Parallel Waves (or applicable Parallel Lines). Centers Crossover Circulate as Ends do your part Diamond | Hourglass | Interlocked Diamond Circulate. EN: 407
Aus Parallel Waves (oder passende Parallel Lines). Centers Crossover Circulate, während Ends ihren Teil vom Diamond | Hourglass | Interlocked Diamond Circulate machen. DE: 407

CALLERLAB definition for Switch to a Diamond
CALLERLAB definition for Switch to an Hourglass

Choreography for Switch To A(n) Diamond | Hourglass

Comments? Questions? Suggestions?Page translated by Annette und Uwe Gruen.

 
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03-November-2024 18:39:58
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