Asymmetric Primer for Callers  by Vic Ceder

This paper was originally written for Advanced and Challenge callers, and contains some references to calls on these programs.

Intro

Asymmetric choreography occurs when one half of the square is different than the other half.

Types of Asymmetry

An asymmetric setup can have any combination of these 3 attributes:

  1. Sex Asymmetry:
    • 3 Boys on 1 side
    • Parallel Waves with all 4 Girls facing the same wall
  2. Formation Asymmetry:
    • A Diamond on one side, a Line on the other
    • a 2x4 in which one side is T-Boned differently than the other
  3. Sequence Asymmetry:
    • Boys or Girls are in a sequence other than 1-2-3-4 or 1-4-3-2

Get-Ins

There are many ways to get into asymmetry. For example,

  1. Goal Posting:
    • Couple #1 Split Couple #3 Around 1 to a Line
    • Couple #2 Split Couple #4 Around 2 to Lines of 3
    • Couple #3 Separate Around 3 to a Line
  2. Sex or Position Swap:
    • Couple #1 and #2 Half Sashay
    • Couple #3 and #4 Right & Left Thru (then square your sets)
    • Couple #2 and #3 Flutter Wheel (then square your sets)
  3. Traveling Couples:
    • Couple #4 only Promenade 1/2 way
    • Couple #1 and #2 Promenade 1/2 way
    • Couple #1 Lead Right and Circle To A Line
  4. Near | Far:
    • Heads Star Thru; Near Column Double Pass Thru
    • Heads Star Thru & Spread; Far 6 Pass Thru
  5. Facing designations:
    • Those Facing The Caller Tag The Line
    • Those Facing The Window U-Turn Back
    • Those Facing The Back of the Hall Partner Trade
    • Tag The Line, Face The Music
  6. Other ways:
    • Heads Lead Right; Square Thru your Couple Number
    • Heads Lead Left; Eight Chain your Couple Number
    • From a Circle: Couple #1 drop hands with your partner, all straighten out to a Line of 8
    • Heads Circle 1/2 way, #1 Man Break to a Line
    • If You Want To: Half Sashay
    • The call Who's on First | Second | Third | Fourth

Useful Calls

The following calls are useful to maneuver dancers and resolve asymmetry:

  1. Near | Far CONCEPT
  2. Those who Can, Those Facing
  3. Slide Thru (also Star Thru)
  4. Tag The Line (also 1/2 Tag, 3/4 Tag, etc.)
  5. Explode, Explode The Wave, Explode The Line
  6. Roll (also Single Wheel)
  7. 1/4 In, 1/4 Out (also Face Your Partner)
  8. Any Hand (especially Any Hand Remake - can be cued at lower programs)
  9. Brace Thru
  10. Partner Tag
  11. Out Roll Circulate
  12. Zig-Zag, Zag-Zig
  13. Vertical Tag/anything
  14. Zing
  15. Rotates, Single Rotates
  16. Ripple n
  17. Single Cross Trade & Wheel (from asymmetric Mini-Waves)
  18. Couple Up (also Split Trade Couple Up)

Resolving Asymmetry

Just as there are several ways to get into asymmetry, there are several ways to resolve.

This section describes a method of resolving asymmetry that can be used both when writing sequences and when sight calling.

  1. Maneuver all girls, boys, heads, or sides to one half of the set.
    • The easiest formation to modify is Parallel Waves.
    • Acey Deucey and In Roll Circulate are useful since they move only one dancer from each side to the other side.
    • If you do not yet have the desired setup, deliver a call to one half of the square. Use calls such as Near Wave Swing Thru, or Far Wave Out Roll Circulate to maneuver the un-desired dancer in each wave to become an In-Facing End. Then call Acey Deucey or In Roll Circulate to move them to the other wave.
  2. Deliver 4-dancer calls to make each wave symmetric.
    • A symmetric wave has the Ends as original diagonal opposites, and the Centers as original diagonal opposites.
    • Use calls such as Out Roll Circulate, or End Boys Ripple n to fix non-symmetric waves.
    • If one wave is symmetric, and the other is not, deliver calls such as Swing Thru or Trade The Wave to the symmetric wave to keep them moving while you fix the other dancers (e.g., Near Wave Swing Thru while the Far Wave Out Roll Circulate).
  3. Convert one side to a right-hand wave, and the other to a left-hand wave.
    • E.g., Near Wave Trade The Wave or Far Wave Centers Cross Run.
  4. From here, there are many calls or short sequences that convert the formation into a symmetric one. For example,
    • Those Facing Pass Thru
    • Any Hand Remake (or Swing The Fractions)
    • Any Hand 1/4 Thru + Leaders Trade
    • Single Hinge, Centers Trade, Ends Fold (Single Cross Trade & Wheel)
    • Ah So + Those Who Can Double Pass Thru
    • Split Trade Couple Up
    I have a list of over 40 symmetric conversions from this position. I leave it as an exercise to you to discover some more.

The aforementioned resolution method also works if the formation is Parallel Two-Faced Lines (one R-H, one L-H), or Columns consisting of one R-H Box and one L-H Box.

When writing a sequence, you may find that in order to resolve, two dancers need to be switched, say the #1 Boy and #2 Boy. You can examine the sequence and switch them when convenient (eg., Center Boys Trade). Failing that you might be able to instead switch the #3 and #4 Boys to resolve asymmetry. Failing that, at the beginning of the sequence, you can call Couples #1 and #2 Flutter Wheel to switch those Boys.

Surprise Getouts

For some dancers, part of the fun with asymmetrics is trying to notice when the square returns to normal. Hence, an unexpected getout adds to the excitement.

  1. An asymmetric resolve (calling LA, RLG, or Promenade Home from an asymmetric formation)
  2. An un-noticed symmetric resolution (dancers don't notice when the square becomes symmetric)

Sight Calling Techniques

Resolving Hints

Asymmetric Versions of Calls

Dancing calls from asymmetric positions feels different. For example,

Asymmetric Calls

Face The Music:

All dancers individually 1/4 turn in place to face the caller.

Rip And Snort:

From a (moving) Circle. Retaining joined hands, designated Couple (#1, #2, shortest, sexiest, etc.) walk forward to split the opposite couple, then the designated couple drops hands with each other while everyone else retains hands, the designated couple separates and goes around the outside to meet each other to reform a circle. The couple originally opposite the designated couple does a 'dishrag' twirl to end back in a facing circle.

The movement of Rip And Snort is asymmetric, but the end result is symmetric.

Who's On First | Second | Third | Fourth (Dan and Madeleine Allen 1955):

From a Static Set. Those at the given position (e.g., First means couple #1's original starting position; Second means couple #2's original starting position) walk forward to end between the opposite couple then U-Turn Back. The other 6 dancers move one position toward the starting position of the designated couple, and adjust to end in a squared set.

For example, from a Squared Set, Who's on First has the #1 Man go to the #3 Lady's spot, who goes to the #4 Man's spot, who goes to the #4 Lady's spot, who goes to the #1 Man's spot. Similarly, on the other side, the #1 Lady goes to the #3 Man's spot, who goes to the #2 Lady's spot, who goes to the #2 Man's spot, who goes to the #1 Lady's spot.

 
before
Who's On First
 after

From a symmetric position, if this call is done 3 times in a row, alternating head and side positions, the result is another symmetric formation. That is, head-side-head or side-head-side ends symmetric. E.g., from a symmetric setup, Who's On First, then Who's On Second, then Who's On Third ends in a symmetric setup. Of course, from a symmetric setup, calling the call twice to either the head or the side position also results in a symmetric setup.

Who's On First | Second | Third | Fourth can be useful in a beginner's class to reinforce learning square positions.

Shifting Center of Gravity

Sometimes, asymmetric sequences shift the center of gravity of the square. This often happens when dancers end on the same spot, taking right hands.

For example, from asymmetric Twin Diamonds, with the centers in a One-Faced Line, and the points with their right-hand inward: Cut The Diamond ends in Parallel R-H Waves, since original Centers all come to the same spot, to take right hands.

 
before
Cut The Diamond
 after

Gravity shifts can be used to create unexpected resolves.

Hints

Stir The Bucket Routines

Vic-originals that I use regularly.

Couple #1 and #2 Right & Left Thru,
New Couples #1 and #3 Right & Left Thru,
New Couples #1 and #4 Right & Left Thru.
(rotated)
Couple #1 Lead Right, make an arch, Couple #2 Dive Thru,
Couple #2 Lead Right, make an arch, Couple #3 Dive Thru,
Couple #3 Lead Right, make an arch, Couple #4 Dive Thru,
Couple #4 Lead Right, look at the caller,
Anybody facing out, California Twirl.
(rotated)
Couples #1 And #2 Flutter Wheel,
Couples #2 And #3 Reverse The Flutter,
Couples #3 And #4 Flutter Wheel,
Couples #4 And #1 Reverse The Flutter,
Head Position Flutter Wheel,
Side Position Reverse The Flutter.
(rotated)
Couple #1 Lead Right, Circle To A Line,
Original Couple #2 Lead Right, Circle To A Line,
Original Couple #3 Lead Right, Circle To A Line,
Original Couple #4 Lead Right, look at the caller, and California Twirl.
(rotated)

A Few Short Sequences

Also Vic-originals.

Couple #1 And #4 Half Sashay,
Sides Square Thru 4,
Dosado,
Swing Thru,
Acey Deucey,
Boys Run,
(all facing caller; say something intelligent),
Near Line Step Forward,
all the Ends Fold,
R.L.G. (1/2 promenade home)
Everybody Half Sashay,
Couple #1 Split Couple #3 Around 1 To A Line,
Couple #2 Split Couple #4 Around 1 To A Line,
As Couples Heads Lead Right,
All Right & Left Thru,
Near Box Square Thru 3, Far Box Pass Thru (sym),
All Wheel & Deal,
Centers Flutter Wheel,
Dixie Grand,
L.A. (1/2 promenade home)
Couples #1 And #2 Right & Left Thru,
   (Same 4) Flutter Wheel,
New Couples #2 And #3 Right & Left Thru,
   (Same 4) Flutter Wheel,
New Couples #3 And #4 Right & Left Thru,
   (Same 4) Flutter Wheel,
Four Ladies Chain 3/4,
You're Home
Couple #1 (Walk Forward) Split Couple #3 Around 1 To A Line,
Sides Right & Left Thru & Backaway,
Heads Move Into The Middle & Bend The Line,
Same 4 Swing Thru,
Extend,
Recycle,
Right Pull By,
L.A. (3/8 promenade home)
Heads Star Thru,
Near Column Double Pass Thru,
Everybody Trade,
Far Column Double Pass Thru,
Ends Trade,
L.A. (ends at home)
Couple #1 Lead To The Right, Circle To A Line,
Same Couple #1 Lead To The Right, Circle To A Line,
Sides Forward & Back,
   (Same 4) Right & Left Thru & Backaway,
Heads Move Into The Middle & Bend The Line,
   (Same 4) Dosado,
   Swing Thru, Turn Thru,
L.A.
R.L.G. (ends at home)
Heads Flutter Wheel & Backaway,
Sides Flutter Wheel & Backaway,
Heads Lead Right, Circle To A Line,
Near Box Pass Thru,
Centers Trade,
Far Box Pass Thru,
Everybody Partner Trade & Roll,
R.L.G. (ends at home)
Couple #1 And #2 Promenade 1/2 Way,
Heads Do Your Part: Double Pass Thru (& step forward),
Sides Do Your Part: Double Pass Thru (& step forward),
Couple #3 And #4 Promenade 1/2 Way,
   Others California Twirl,
You're Home

Interesting Things I've Learned

From symmetric parallel waves: Near Wave Trade The Wave, then all Recycle ends symmetric!

Some calls that we think of as being 8-dancer calls are actually 6-dancer calls. E.g., Scoot Chain Thru; Grand Chain Eight.

Vic and Asymmetrics

I've been calling asymmetrics almost since I first started calling. I have over 850 asymmetric sequences in my computer from Mainstream to C4.

I sight call asymmetrics at all levels, and enjoy resolving squares that accidentally become asymmetric.

When I first started writing asymmetrics, it might take 2 hours or more to write a good sequence. Today, I can write several per hour, depending upon my mood and mental state.

I once made a boast that I could resolve any asymmetric parallel lines within 3 calls (Challenge-program). A dancer said he'd buy me dinner if I could. He arranged my checkers into an asymmetric formation. Within 15 minutes, I was successful, with the third call being 'Any Hand Swing The Fractions & Roll' to a Right & Left Grand. It was a difficult task, so maybe I should change my boast to be within 4 calls. :-)

Additional Resources


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