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Index --> All Levels | Basic and Mainstream | Plus | A1 | A2 | C1 | C2 | C3A | C3B | C4 | NOL | Def2 |
Definitions (Text Only) --> Plus | A1 | A2 | C1 | C2 | C3A | C3B | C4 | NOL | Old Calls | Experimentals |
Dancing and Studying Hints | Tagging Calls | Calls with Parts | Shape Changing | Types of Distortions |
Rotate | As Couples 1/4 To Promenade |
Reverse Rotate | As Couples 1/4 To Reverse Promenade |
Single Rotate | Individually 1/4 To Promenade EN: 150 |
Reverse Single Rotate | Individually 1/4 To Reverse Promenade EN: 160 |
C1 Rotates ()
Rotate fraction [C1]:
Reverse Rotate fraction [C1]:
Single Rotate fraction [C1]:
Reverse Single Rotate fraction [C1]:
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C2 Rotates ():
Rotate fraction[C2]:
Reverse Rotate fraction [C2]:
Single Rotate fraction [C2]:
Reverse Single Rotate fraction[C2]:
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C3B Rotates ():
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Single Rotate 1/4 ( ):In this example, the dancers work as if they are in Columns
whereas the dancers work as if they are in Lines (i.e., work Split) EN: 510 In folgendem Beispiel arbeiten die Tänzer,
als ob sie in Columns stehen, wogegen die Tänzer
arbeiten, als ob sie in Lines stehen (d. h. Split): DE: 510
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Split Single Rotate 1/4 ( ):
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VERGLEICHE FOLGENDE BEISPIELE:
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Das ist die Ausgangsformation für die folgenden Beispiele: | ||
nach Single Rotate 1/4 |
nach Split Single Rotate 1/4 |
nach Split Split Single Rotate 1/4 |
Siehe auch Counter Rotate [C1].
Comments? Questions? Suggestions? |
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