  Definitions of Square Dance Calls and Concepts

Index -->  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |
Definitions (Text Only) -->  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |
 Find call:

\$B0lHL2=\$5\$l\$?(B 1/4 Tag \$B\$^\$?\$OB>\$NE,@Z\$J(B formation \$B\$+\$i!%(B

Jay Walk \$B\$r\$9\$k?M\$?\$A\$N(B Distorted (\$B\$f\$,\$s\$@(B) Box \$B\$GF0\$-\$^\$9!%%3!<%k\$N=*\$o\$j\$G(B, \$B\$3\$l\$i\$N(B 4 \$B\$D\$N(B footprint \$B\$N0LCV\$r:F9=@.\$7\$^\$9!%(B  Jay Left Wheel Thru\$B\$NA0(B \$B8e(B

\$B6a\$4\$m(B, \$B2??M\$+\$N%3!<%i!<\$O(B, \$B>e5-\$NL>A0\$NIU\$1J}\$r0lHL2=\$7\$F;H\$C\$F\$\$\$^\$9!%L@3N\$K(B, Jay \$B\$OJ}8~\$G<(\$5\$l(B, \$B\$=\$NJ}8~\$O(B Center Line \$B\$K\$\$\$k?M\$+\$i\$NAjBPE*\$JJ}8~\$G\$9!%\$9\$J\$o\$A(B, \$B30B&\$N?M\$N8~\$-\$K\$O4X78\$,\$"\$j\$^\$;\$s!%(B

• (Front) Jay: Center \$B\$O(B, \$B<+J,\$NA0\$K\$\$\$k(B outside \$B\$N?M\$HF0\$-\$^\$9!%(B
• Back Jay: Center \$B\$O(B, \$B<+J,\$N8e\$m\$K\$\$\$k(B outside \$B\$N?M\$HF0\$-\$^\$9!%(B
• Right | Left Jay: Center \$B\$O(B, \$B<+J,\$N1&(B | \$B:8\$K\$\$\$k(B outside \$B\$N?M\$HF0\$-\$^\$9!%(B (Front) Jay Back Jay Right Jay

\$BCm\$N(B formation \$B\$G\$b;H\$(\$^\$9!%\$^\$?(B, offset \$B\$K\$J\$C\$F\$\$\$k(B 2 \$B?M\$G\$b(B Jay Touch 1/4 \$B\$N\$h\$&\$J(B 2 \$B?M\$N%3!<%k\$,\$G\$-\$^\$9!%(B

Back Jay Shakedown:  Back Jay Shakedown\$B\$NA0(B \$B8e(B
Left Jay Partner Tag:  Left Jay Partner Tag\$B\$NA0(B \$B8e(B

\$BNr;KE*\$K(B, Jay \$B\$O

• (Facing) Jay: \$B3F!9\$N(B distorted Box \$B\$K\$\$\$k?M\$OCf\$r8~\$\$\$F\$\$\$^\$9(B (Box \$B\$N(B Center \$B\$K8~\$+\$C\$F(B), \$B\$=\$7\$F\$*8_\$\$\$K8~\$+\$\$9g\$C\$F\$\$\$^\$9!%\$3\$l\$,I8=`\$N(B Jay \$B\$G\$9!%(B
• Back-to-Back Jay: \$B3F!9\$N(B distorted Box \$B\$K\$\$\$k?M\$O30\$r8~\$\$\$F\$\$\$^\$9(B (Box \$B\$N(B Center \$B\$+\$iN%\$l\$k\$h\$&\$K(B), \$B\$=\$7\$F\$*8_\$\$\$KGXCf9g\$o\$;\$K\$J\$C\$F\$\$\$^\$9!%(B
• Front-to-Back Jay: \$B3F!9\$N(B distorted Box \$B\$G(B Front-to-Back \$B\$K\$J\$C\$F\$\$\$F(B, \$B\$"\$k?M\$O(B Leaders \$B\$G(B, \$B\$"\$k?M\$O(B Trailers \$B\$G(B Leader \$B\$NGXCf\$r8+\$F\$\$\$^\$9!%(B Facing (normal) Jay Front-to-Back Jay Back-to-Back Jay

\$B%R%s%H(B: \$BJ#;(\$J%3!<%k\$G\$O(B, \$BF0\$-;O\$a\$kA0\$K(B Jay \$B\$N\$:\$l\$NJ}8~\$rIt20\$K\$D\$\$\$F%A%'%C%/\$7\$^\$9!%Nc\$(\$P(B, Jay \$B\$,(B offset \$B\$K\$J\$C\$F\$\$\$kJ}8~\$NJI\$r3P\$(\$F\$*\$-\$^\$9!%IaDL(B (1) Centers \$B\$O(B Two-Faced Line \$B\$J\$N\$+(B Wave \$B\$J\$N\$+\$H(B, (2) Center Line \$B\$N\$I\$A\$i\$N(B End \$B\$,Cg4V\$J\$N\$+\$r3P\$(\$F\$*\$/\$3\$H\$G(B, Jay \$B\$N0LCV\$r5-21\$7\$^\$9!%(B

\$B;~!9(B, \$B%3!<%i!<\$O(B Jay \$B\$+\$i(B Shape-changing \$B\$N%3!<%k\$r%3!<%k\$7\$^\$9!%(B  Jay Pass The Ocean\$B\$NA0(B \$B8e(B

On a shape-changing call (usually from a Box to a Line or Wave), the idea is to maintain the center point between the pairs of dancers. In the above example, dancers and finish such that their center point is the original center point between dancers and . Similarly, dancers and finish such that their center point is the original center point between dancers and (which just happens to be the original starting position of dancer ).

Change Jays [NOL]: Jay \$B\$N%3!<%k\$r9T\$C\$?8e(B, \$BJL\$N(B Jay \$B\$N0LCV\$GF0\$-\$^\$9(B (Outsides \$B\$OB>\$N(B Center \$B\$N0LCV\$HF0\$-(B, Centers \$B\$OB>\$N(B Outside \$B\$N0LCV\$HF0\$-\$^\$9(B)\$B!%(B

Same Jay [NOL]: Jay \$B\$N%3!<%k\$r9T\$C\$?8e(B, \$BF1\$8(B Distorted Box (\$B\$f\$,\$s\$@(B box) \$B\$NF1\$8?M\$H(B, \$B \$B

• Jaywalk [C1].
• Jay Concept (by Charles Young)
• CALLERLAB definition for Jay Concept Choreography for Jay Concept Comments? Questions? Suggestions?

https://www.ceder.net/def/jay.php?level=master&language=japan
18-September-2020 23:13:03 