Printer friendly version 
 Square Dance Resource Net  (Home)ArticlesCallers and CuersClubsEventsResourcesChoreographyMusicLyricsCeder Chest Definition BooksCeder Square Dance System  (CSDS)Square Rotation Program  (SQROT)Vic Ceder - Square Dance CallerDefinitions of square dance calls and conceptsMore square dance DefinitionsLists of square dance calls and conceptsFrequently Asked QuestionsSquare dance linksLos Olivos Honey BeesBande DéssineesChocolate BarsBeanie BabiesPokémon Trading CardsSend us feedback
Definitions of Square Dance Calls and Concepts
 
Definitions of Square Dance Calls and Concepts
 
 
 Definitions Main Page  |  FAQ  |  Ceder Chest Definition Books  |  Multilingual  |  administrator     
 Index -->  All Levels  |  Basic and Mainstream  |  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |  Def2 
 Definitions (Text Only) -->  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |  Old Calls  |  Experimentals 
 Dancing and Studying Hints  |  Tagging Calls  |  Calls with Parts  |  Shape Changing  |  Types of Distortions 
Find call: 

Big Block CONCEPT [C3A]
   (author unknown)
C3A:     

Language:
 or 
  
  
  
  
  
   view (admin)

From Interlocked Blocks, Butterfly, "O" or other applicable formations.

Execute the given call working within Distorted Parallel Lines. At the completion of the call, each dancer must occupy one of the footprints of the original formation.

Big Block CONCEPT:

 
   
From here...   or here...   or here...
 
Think of working here.


 
 
before
Big Block In Roll Circulate
 after
Big Block Trade Circulate:

 
 
before
Big Block Trade Circulate
 after

Notes:
  • Shape-changing calls are allowed only if it is possible for each dancer to unambiguously end on one of the footprints of the original formation.
  • For complicated calls and shape changers from Interlocked Blocks: memorize the orientation of the diagonal, compress the formation into Parallel Lines, do the given call, then re-establish the Interlocked Block footprints with the original diagonal. See example below:


     
         
    before
    Big Block Counter Rotate 1/4
     after
    compressing to a normal setup
     after
    Counter Rotate 1/4
     after
    re-establishing footprints
    (done)
    In the above example, imagine that you are the dancer indicated by . When looking at the left-most formation, you might think that on a Big Block Counter Rotate 1/4 you would end up in the position initially occupied by (which, in fact, you would if the call was Big Block Centers Counter Rotate 1/4, but instead, because of the shape-changing aspect of the call, you should end up on the position initially occupied by dancer .)
  • It is not always desirable to compress the formation, do the call, and then re-establish footprints. Starting from the same formation as in the above example, if the call was Big Block Split Counter Rotate 1/4, it would be awkward to compress, do the call, then re-establish. Please only use the compression method when the call is complicated or is a shape-changer.

Variation: Big Block anything To A (Normal) Column | Line | Wave: Start the call working Big Block but end in a normal setup (e.g., Parallel Waves).

Stagger Concept [C2]: From an appropriate 16-Matrix formation, typically Interlocked Blocks. Execute the given call working within Distorted Columns. At the completion of the given call, each dancer must end on one of the footprints of the original formation. Shape-changing calls are allowed with the restriction that it must be possible for each dancer to unambiguously adjust to end on one of the footprints of the original formation. As with Interlocked Blocks, the diagonal acts as the controlling feature for re-establishing the footprints of the resulting formation.

CALLERLAB definition for Big Block Concept

Choreography for Big Block CONCEPT

Comments? Questions? Suggestions?
 
C3A:     

https://www.ceder.net/def/bigblock.php?language=usa&level=C3A
18-March-2024 20:42:41
Copyright © 2024 Vic Ceder.  All Rights Reserved.
full URL