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Choreographic Rules of Flow in Square Dancing  www.lynette.org   by Lynette Bellini
These are my rules of flow in square dancing.
ID: 186
  
  
  

 
Dancing the Matrix Concept  www.lynette.org   by Sue Curtis
This paper describes a method of thinking about the Matrix concept.
ID: 184
  
  
  

 
Jay Concept  mysite.verizon.net   by Charles Young
An explanation of the Jay Concept.
ID: 390
  
  
  

 
Multiple Formations Working Everywhichway  www.lynette.org   by William B. Ackerman and J. Eric Brosius
These concepts generalize the existing concept Triple Boxes Working Together and also expand and clarify the Grand and Triple Lines concepts.
ID: 179
  
  
  

 
Once Removed Dance Strategies  mysite.verizon.net   by Charles Young
A discussion of the definition of Once Removed, problems with the Once Removed concept, and strategies which may be used to dance this concept. Many diagrams are included.
ID: 395
  
  
  

 
Once Removed Notes and Diagrams  mysite.verizon.net   by Charles Young
The Once Removed concept is one of the hardest and least understood concepts in Challenge square dancing. This paper provides an explanation of this concept for most of us. This will be done by showing sample calls with some discussions of the nuances of the examples including discussion of the strategy to be used for the call.
ID: 388
  
  
  

 
Parallelograms and Offset Lines | Columns  www.ceder.net   by Keith Rubow
How to successfully dance the more difficult Parallelogram and Offset Line/Column calls.
ID: 164
  
  
  

 
Parallelograms and Offsets Notes and Diagrams  mysite.verizon.net   by Charles Young
There are some basic facts about parallelograms that must be understood if you are to become competent in the use of the concept.
ID: 387
  
  
  

 
Rotates by Jim Davis  by Jimmy Davis
This book on Rotates is a comprehensive study including directions, teaching hints, diagrams, and choreography by the author of the call/concept himself.
ID: 437
  
  
  

 
Split Phantom Lines / Columns  mysite.verizon.net   by Charles Young
A list of the things you must know when you do Split Phantom concept calls.
ID: 389
  
  
  

 
Star Wars - When Meta-Concepts and Supercalls Collide  www.lynette.org   by Bill Heimann
Callers have begun combining meta-concepts with supercalls.
ID: 176
  
  
  

 
Star Wars ? The Sequel or When Meta-Concepts and Supercalls Collide  www.wmk2.com   by Bill Klein
(after the original work of Bill Heimann see: http://www.lynette.org/starwars.html )
ID: 465
  
  
  

 
Supercalls  www.lynette.org   by Lynette Bellini
A class of calls which fall in a currently undefined region between call and concept.
ID: 177
  
  
  

 
Supercalls: A new class of concepts  www.lynette.org   by Dan Neumann
Calls can become concepts!
ID: 175
  
  
  

 
The 3 by 1 Concept  www.lynette.org   by Sue Curtis
This definition accurately describes previously-used calls such as Checkmate (and even Transfer!) and allows the 3 by 1 concept to be applied to many other calls.
ID: 183
  
  
  

 
The 3 By 3 Concept  www.lynette.org   by Sue Curtis
The 3 by 3 concept clarifies the 12 Matrix concept since it provides a well-defined method of converting 8-person calls to 12-person calls.
ID: 182
  
  
  

 
The Challenge Dancing Handbook  fortytwo.ws   by Clark Baker
Clark Baker's definitive work on Challenge Dancing written in 1978. Including discussions on Naming Conventions, Setups and Formations, Descriptive Terminology, Concepts, Extensions and Variations, Calls and more.
ID: 443
  
  
  

 
The Fractional Twosome Concept  www.lynette.org   by Scott Morton and Sue Curtis
The Fractional Twosome Concept is a new method of working jointly with another dancer.
ID: 180
  
  
  

 
The Rewind Concept  www.lynette.org   by J. Eric Brosius
You may have seen diagrams that explain calls using little pictures of dancers with arrows showing the paths one takes when dancing the calls. What if the arrows went in the opposite direction?
ID: 185
  
  
  

 
The Scatter Concept  www.lynette.org   by Dan Neumann
SCATTER is a motion-based concept where the leaders in a wave (or line) who would normally flip over into their partner's space, dance to the spot that the other lead would normally flip into and adopt the identity of that dancer.
ID: 174
  
  
  

 
The Single Concept  www.lynette.org   by J. Eric Brosius
A proposed definition of "Single".
ID: 181
  
  
  

 
The Straight Concept  www.lynette.org   by Dan Neumann
An extension of the call "Straight Fire".
ID: 173
  
  
  

 
The Twisted Concept  fortytwo.ws   by Clark Baker
A concept that can be used with any call whose active's initial dance action contains a pass thru, pull by, touch, or single circling action.
ID: 178
  
  
  

 

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