Rotates (Rotate, Reverse Rotate, Single Rotate, and Reverse Single Rotate) are
listed on different challenge lists according to the starting formation.
EN: 10 Rotates (Rotate, Reverse Rotate, Single Rotate, Reverse Single Rotate) $B$O(B,
$B%3!<%k$r;O$a$k(B formation $B$K=>$C$F(B, $B0[$J$k(B challenge list $B$K$"$j$^$9(B. JP: 10
Rotates can only be called from a Generalized Squared
Set, or from similar formations (e.g., from Columns, the Ends only).
EN: 30 Rotates $B$O(B, $B0lHLE*$J(B squared set, $B$^$?$O(B, $B;w$?(B formation ($BNc$($P(B, Column $B$N(B Ends $B$@$1(B) $B$+$i$N$_%3!<%k$5$l$^$9(B. JP: 30
Rotates can also be called from Parallel Lines or from a 2 x 2
(e.g., In Your Block Single Rotate 1/4).
EN: 50 Rotates $B$O(B, $BJ?9T$J(B Lines $B$^$?$O(B 2 x 2
($BNc$($P(B, In Your Block Single Rotate 1/4) $B$+$i$b%3!<%k$5$l$^$9(B. JP: 50
Rotates can also be called from Columns.
EN: 70 Rotates $B$O(B, Columns $B$+$i$b%3!<%k$5$l$^$9(B. JP: 70
Procedure for dancing Rotates:
EN: 80 Rotates $B$rMY$k$?$a$NJ}K!(B: JP: 80
-
Identify the center point of your setup.
EN: 90 $B<+J,$N(B setup $B$NCf?4E@$r3NG'$7$^$9(B. JP: 90 The center point of your setup is the very center point of the square
(commonly called the "flagpole center") except in the following cases:
EN: 100 $B<+J,$N(B setup $B$NCf?4E@$H$O(B, $B0J2<$N>l9g$r=|$-(B, square $B$N??$sCf(B
($B$h$/(B "flagpole center (flagpole: $B4z$6$*(B)" $B$H8@$o$l$^$9(B) $B$G$9(B: JP: 100
If you are in a 2 x 4 formation and are in Lines, the
center point is the Center of each Box (i.e., work Split). If you
are in a 2 x 4 T-Bone, the center point for the Column dancers
is the flagpole center, whereas the Line
dancers are working Split.
EN: 110 $B$b$7(B, 2 x 4 formation $B$K$$$F(B Lines $B$G$"$l$P(B,
$BCf?4E@$O(B each Box $B$N(B Center ($B$9$J$o$A(B, Split $B$GF0$-$^$9(B) $B$G$9(B. $B$b$7(B,
2 x 4 $B$N(B T-Bone $B$J$i(B, Line $B$N?M$,(B Split $B$GF0$/$N$KBP$7$F(B,
Column $B$N?M$NCf?4E@$O(B flagpole center (squared set $B$NCf?4(B) $B$G$9(B.
JP: 110 If Rotate is preceded by the term
Split, then divide
your formation into two equal subformations. The center
point is the Center of your subformation. From a 2 x 4,
Split means to divide the setup into two 2 x 2s, not
two 1 x 4s.
EN: 120 $B$b$7(B, Rotate $B$NA0$K(B Split $B$N8@MU$,$"$l$P(B,
formation $B$r(B 2 $B$D$NEy$7$$(B subformation $B$KJ,$1$^$9(B. $BCf?4E@$O(B
subformation $B$N(B Center $B$G$9(B. 2 x 4 $B$+$i(B,
Split $B$O(B setup $B$r(B 2 $B$D$N(B 2 x 2 $B$XJ,$1$k$3$H$r0UL#$7(B,
2 $B$D$N(B 1 x 4 $B$G$O$"$j$^$;$s(B. JP: 120 If Rotate is preceded by the name of a formation in which to
work, the center point is the Center of that formation. For example,
from Columns consider 'Each Column Single Rotate 1/4'. In this
case, the center point is the Center of the 1 x 4 setup.
EN: 130 $B$b$7(B, Rotate $B$NA0$K(B,
$BF0$-$r9T$&(B formation $B$NL>A0$,$"$l$P(B,
$BCf?4E@$O$=$N(B formation $B$N(B Center $B$G$9(B. $BNc$($P(B,
Columns $B$+$i$N(B 'Each Column Single Rotate 1/4' $B$r9M$($F$_$^$7$g$&(B.
$B$3$N>l9g(B, $BCf?4E@$O(B 1 x 4 setup $B$N(B Center $B$G$9(B. JP: 130
Turn 1/4
relative to that center point according to the following rules:
EN: 140 $B2<5-$N%k!<%k$K=>$C$F(B, $B3NG'$7$?Cf?4E@$NJ}$X(B 1/4 $B8~$-$rJQ$($^$9(B: JP: 140
Rotate | As Couples 1/4 To Promenade |
Reverse Rotate | As Couples 1/4 To Reverse Promenade |
Single Rotate | Individually 1/4 To Promenade EN: 150 Individually 1/4 To Promenade JP: 150 |
Reverse Single Rotate | Individually 1/4 To Reverse Promenade EN: 160 Individually 1/4 To Reverse Promenade JP: 160 |
- 1/4 To Promenade
Turn 1/4 so that your
left shoulder is toward the
Center of your formation.
EN: 170 $B:8(B$B8*$,<+J,$N(B formation $B$N(B Center $B$X8~$/$h$&$K(B 1/4 $B$=$N>l$G2s$j$^$9(B. JP: 170
- 1/4 To Reverse Promenade
Turn 1/4 so that your
right shoulder is toward the
Center of your formation.
EN: 180 $B1&(B$B8*$,<+J,$N(B formation $B$N(B Center $B$X8~$/$h$&$K(B 1/4 $B$=$N>l$G2s$j$^$9(B. JP: 180
-
From a Squared Set, active dancers work around the outside
of the set. The inactive dancers should move into the center of the set.
EN: 200 Squared Set $B$+$i(B, $B%"%/%F%#%V$N%@%s%5!<$O(B set $B$N30B&$r2s$k$h$&$KF0$-$^$9(B. $B%"%/%F%#%V$G$J$$?M$O(B set $B$N(B Center $B$XF0$+$M$P$J$j$^$;$s(B. JP: 200
-
When dancing Rotates, there are 3 things to listen for:
EN: 210 Rotates $B$rMY$k$H$-$K$O(B, $B JP: 210 Reverse $B$,$"$k$+$J$$$+(B; JP: 230
C1 Rotates ()
-
Rotate fraction [C1]:
(Those designated) As Couples 1/4 To Promenade & Counter Rotate the given
fraction around the outside of the set as non-designated dancers (if
any) move into the Center.
EN: 260 ($B;X<($5$l$??M$,(B) $B%+%C%W%k$G(B, promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B; Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$1(B set $B$N30$r2s$k$h$&$K9T$$(B, $B;X<($5$l$J$+$C$??M$O(B
($B$b$7(B, $B$$$l$P(B) Center $B$XF0$-$^$9(B. JP: 260
Reverse Rotate fraction [C1]:
(Those designated) As Couples 1/4 To Reverse Promenade & Counter Rotate the given
fraction around the outside of the set as non-designated dancers (if
any) move into the Center.
EN: 270 ($B;X<($5$l$??M$,(B) $B%+%C%W%k$G(B, $B5U(B promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B; Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$1(B set $B$N30$r2s$k$h$&$K9T$$(B, $B;X<($5$l$J$+$C$??M$O(B
($B$b$7(B, $B$$$l$P(B) Center $B$XF0$-$^$9(B. JP: 270
Single Rotate fraction [C1]:
(Those designated) Individually 1/4 To Promenade & Counter Rotate the given
fraction around the outside of the set as non-designated dancers (if
any) move into the Center.
EN: 280 ($B;X<($5$l$??M$,(B) 1 $B?M$G(B, promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B; Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$1(B set $B$N30$r2s$k$h$&$K9T$$(B, $B;X<($5$l$J$+$C$??M$O(B
($B$b$7(B, $B$$$l$P(B) Center $B$XF0$-$^$9(B. JP: 280
Reverse Single Rotate fraction [C1]:
(Those designated) Individually 1/4 To Reverse Promenade & Counter Rotate the given
fraction around the outside of the set as non-designated dancers (if
any) move into the Center.
EN: 290 ($B;X<($5$l$??M$,(B) 1 $B?M$G(B, $B5U(B promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B; Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$1(B set $B$N30$r2s$k$h$&$K9T$$(B, $B;X<($5$l$J$+$C$??M$O(B
($B$b$7(B, $B$$$l$P(B) Center $B$XF0$-$^$9(B. JP: 290
$BCm-
Do not Face In or Bend The Line after a Rotate unless the caller
explicitly tells you to do so.
EN: 300 Rotate $B$N8e(B,
$B%3!<%i!<$N;X<($,$J$$8B$j(B, Face In $B$d(B Bend the Line $B$r$7$J$$$G$/$@$5$$(B.
JP: 300 -
Non-designated dancers move into the center of the set without changing
their facing direction.
EN: 310 $B;X<($5$l$J$+$C$??M$O(B,
set $B$N(B center $B$X(B, $B8~$-$rJQ$($:$KF0$-$^$9(B.
JP: 310
C2 Rotates ( from Parallel Lines, or from a 2 x 2 but not from Columns
EN: 340 $BJ?9T$J(B Line $B$+$i(B, $B$^$?$O(B 2 x 2 ($B$?$@$7(B Column $B$G$O$J$/(B) $B$+$i(B): JP: 340 ):
-
4 $B?M$N(B each Box $B$GF0$-$^$9(B. JP: 350
Rotate fraction[C2]:
As Couples 1/4 To Promenade and (working in the resulting Line of 4) Counter Rotate the given
fraction. This is the same as As Couples Zag-Zig; Lockit
n times (where
n is the number of quarters within the given
fraction:
n=1 for 1/4,
n=2 for 1/2,
n=3 for 3/4, etc.).
EN: 360 $B%+%C%W%k$G(B, promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B, ($B7k2L$H$7$F$G$-$?(B 4 $B?M$N(B Line $B$GF0$/$h$&$K(B) Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$19T$$$^$9(B.
$B$3$l$O(B, As Couples Zag-Zig $B$r$7$F(B; Lockit $B$r(B
n $B2s$9$k$3$H$HF1$8$G$9(B ($B$3$3$G(B n $B$O(B, $BM?$($i$l$?(B
fraction $B$N(B 1/4 $B$N?t(B: 1/4 $B$G$O(B n=1, 1/2 $B$G$O(B n=2, 3/4 $B$G$O(B n=3, etc $B$G$9(B). JP: 360
Reverse Rotate fraction [C2]:
As Couples 1/4 To Reverse Promenade and (working in the resulting Line of 4) Counter
Rotate the given
fraction. Same as As Couples Zig-Zag; Lockit
n times (where
n is the number of quarters within the given
fraction).
EN: 370 $B%+%C%W%k$G(B, $B5U(B promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B, ($B7k2L$H$7$F$G$-$?(B 4 $B?M$N(B Line $B$GF0$/$h$&$K(B) Counter
Rotate $B$rM?$($i$l$?(B fraction $B$@$19T$$$^$9(B.
$B$3$l$O(B, As Couples Zig-Zag $B$r$7$F(B; Lockit $B$r(B
n $B2s$9$k$3$H$HF1$8$G$9(B ($B$3$3$G(B n $B$O(B, $BM?$($i$l$?(B
fraction $B$N(B 1/4 $B$N?t$G$9(B). JP: 370
Single Rotate fraction [C2]:
Individually 1/4 To Promenade and Box Counter Rotate the given
fraction. Same as
Zag-Zig; Box|Split Counter Rotate the given
fraction.
EN: 380 1 $B?M$G(B, promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B, Box Counter Rotate $B$rM?$($i$l$?(B fraction $B$@$19T$$$^$9(B.
$B$3$l$O(B, Zag-Zig $B$r$7$F(B; Box|Split Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$19T$&$3$H$HF1$8$G$9(B. JP: 380
Reverse Single Rotate fraction[C2]:
Individually 1/4 To Reverse Promenade and Box Counter Rotate the given
fraction. Same as Zig-Zag; Box|Split Counter Rotate the given
fraction.
EN: 390 1 $B?M$G(B, $B5U(B promenade $B$NJ}$X(B 1/4 $B8~$-$rJQ$((B, Box Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$19T$$$^$9(B.
$B$3$l$O(B, Zig-Zag $B$r$7$F(B; Box|Split Counter Rotate $B$rM?$($i$l$?(B
fraction $B$@$19T$&$3$H$HF1$8$G$9(B. JP: 390
|
Reverse Single Rotate 1/2 ( ): |
Cheat for
Single Rotate 1/4 (from Lines):
EN: 420 Single Rotate 1/4 (Line $B$+$i(B) $B$N(B Cheat: JP: 420
Leaders Left-faced U-Turn Back; Belles Walk; Beaus Dodge.
EN: 430 Leaders $B$O(B Left-faced U-Turn Back $B$r$7$F(B; Belles Walk; Beaus Dodge. JP: 430
Cheat for
Reverse Single Rotate 1/4 (from Lines):
EN: 440 Reverse Single Rotate 1/4 (Line $B$+$i(B) $B$N(B Cheat: JP: 440
Leaders Right-faced U-Turn Back; Beaus Walk; Belles Dodge.
EN: 450 Leaders $B$O(B Right-faced U-Turn Back $B$r$7$F(B; Beaus Walk; Belles Dodge. JP: 450
Be aware that there are many dancers who use these cheats. Also,
experienced dancers often seem as if they are dancing this way (when they
are Trailers they simply do some sort of Walk & Dodge movement). We believe
it is okay to dance this way if you still think in your mind to 'turn 1/4
& Box Counter Rotate', so that you keep in mind that there
is a flowing direction toward which you can Roll. Note that this
cheat will not work if the
fraction is 0/4.
If the
fraction is greater than 1/4
then use Box Counter Rotates for the rest of the call.
EN: 460 $BB?$/$N%@%s%5!<$,(B, $B$3$N(B cheat $B$r;H$C$F$$$k$H$$$&$3$H$rCN$C$F$*$$$F$/$@$5$$(B. $B$^$?(B,
$B7P83$r$D$s$@%@%s%5!<$,(B, $B$7$P$7$P(B,
$B$3$NMM$KMY$C$F$$$k$h$&$K;W$($k$3$H$r8+$+$1$^$9(B
(Trailers $B$N$H$-$K(B, $BC1$K(B Walk & Dodge $B$N$h$&$KF0$/(B).
$B;dC#$O(B, 'turn 1/4 & Box Counter Rotate' $B$r?4$NCf$G9M$($F$$$F(B,
flow $B$,$"$j(B Roll $B$G$-$k$H$$$&$3$H$rCN$C$F$$$k$J$i(B,
$B!V$h$7!W$H$7$^$9(B.
$B$3$N(B cheat $B$O(B, fraction $B$,(B 0/4 $B$N$H$-$K$O;H$($J$$$3$H$KCm0U$7$F$/$@$5$$(B.
Fraction $B$,(B 1/4 $B$h$jBg$-$$$H$-$K(B,
Box Counter Rotates $B$,$"$j$^$9(B. JP: 460
C3B Rotates ( from Columns and other formations
EN: 470 Column $B$H(B, $BB>$N(B formation $B$+$i(B JP: 470 ):
-
|
|
Single Rotate 1/4 ( T-Bone $B$N(B 2 x 4 $B$+$i(B JP: 500 ):
In this example, the dancers work as if they are in Columns
whereas the dancers work as if they are in Lines (i.e., work Split) EN: 510 $B$3$NNc$G$O(B, $B$N?M$O(B Column $B$K$$$k$H$7$FF0$-(B,
$B$N?M$O(B Line $B$K$$$k$H$7$FF0$-(B ($B$9$J$o$A(B, Split $B$G(B) $B$^$9(B. JP: 510
|
Split Single Rotate 1/4 ( ):
|
|
|
|
|
before Split Single Rotate 1/4 |
|
after Split 1/4 To Promenade |
|
after Split Counter Rotate 1/4 ($B=*$o$j(B) |
Note: from Parallel Lines, Split Single Rotate is the same as Single Rotate. EN: 550 |
|
$B$B;O$a$N(B formation: |
Single Rotate 1/4 $B$N8e(B |
Split Single Rotate 1/4 $B$N8e(B |
Split Split Single Rotate 1/4 $B$N8e(B |
Rotates $B$rMY$k$?$a$N%R%s%H(B: JP: 560
-
On
Rotate or
Single Rotate, turn 1/4 (As Couples or
Individually) so that your
Left-shoulder is toward the center of
your setup.
EN: 570 Rotate $B$^$?$O(B Single Rotate $B$G$O(B, $B:88*(B$B$r<+J,$N(B setup $B$N(B center $B$NJ}$XF0$+$9$h$&$K(B 1/4 $B$=$N>l$G2s$j$^$9(B ($B%+%C%W%k$+(B 1 $B?M$G(B). JP: 570 On
Reverse Rotate or
Reverse Single Rotate, turn 1/4
(As Couples or Individually) so that your
Right-shoulder is toward the center of your setup.
('Reverse' and 'Right' both begin with 'R'.)
EN: 580 Reverse Rotate $B$^$?$O(B Reverse Single Rotate $B$G$O(B, $B1&8*(B$B$r<+J,$N(B setup $B$N(B center $B$NJ}$XF0$+$9$h$&$K(B 1/4 $B$=$N>l$G2s$j$^$9(B
($B%+%C%W%k$+(B 1 $B?M$G(B).
('Reverse' $B$H(B 'Right' $B$O(B, $BN>J}(B 'R' $B$G;O$^$C$F$$$^$9(B.) JP: 580 Rotate means
As Couples;
Single Rotate means
Individually.
EN: 590 Rotate $B$O(B $B!V%+%C%W%k$G!W(B; Single Rotate $B$O(B $B!V(B1 $B?M$G!W(B $B$r0UL#$7$^$9(B. JP: 590 If no
fraction is given, then assume 1/4. In our opinion,
the caller should always give a
fraction.
EN: 600 $B$b$7(B, fraction $B$,$J$$$H$-$O(B, 1/4 $B$H$7$F$/$@$5$$(B. $B;dC#$N0U8+$G$O(B,
$B%3!<%i!<$O>o$K(Bfraction $B$rM?$($k$Y$-$G$9(B. JP: 600 The caller can give the
fraction 0 (or 0/4), in which case just turn 1/4
and do not Counter Rotate at all.
EN: 610 $B%3!<%i!<$O(B fraction 0 ($B$^$?$O(B 0/4) $B$H$9$k$3$H$,$G$-$^$9(B. $B$3$N>l9g(B, $B$=$N>l$G(B 1/4 $B2s$k$@$1$G(B,
Counter Rotate $B$O2?$b$7$^$;$s(B. JP: 610
Why is the
Rotate F
AMILY split across three levels?
The answer is that the definition of
Rotate is inconsistent, in the sense that the definition is
formation-dependent. In our opinion, dancers should have one concise definition
that can be applied to any legal starting formation. The C2-style Rotates are the
culprits, and we believe these Rotates should have been named Split Rotate (instead of
Rotate), and Split Single Rotate (instead of Single Rotate), so that there
would be no conflict. Unfortunately, Rotates were not defined quite so cleanly.
EN: 620 $B$J$<(B, Rotate FAMILY $B$O(B 3 $B$D$N%l%Y%k$K$^$?$,$C$F$$$k$N$G$7$g$&$+(B?
$BEz$($O(B, Rotate $B$NDj5A$,(B formation $B$K0MB8$7$F$$$F(B, $B0l4S@-$,$J$$$+$i$G$9(B.
$B;dC#$N0U8+$G$O(B, $BDj5A$O%@%s%5!<$K$H$C$F(B 1 $B$D$N4J7i$J$b$N$G(B, $B$I$NE,@Z$J;O$a$N(B formation $B$+$i;H$($k$b$N$G$"$k$Y$-$G$9(B.
C2 $B%9%?%$%k$N(B Rotates $B$K$OLdBj$,$"$j(B,
$B$3$l$i$N(B Rotates $B$O(B Split Rotate (Rotate $B$G$J$/(B) $B$H(B Split Single Rotate (Single Rotate $B$G$J$/(B) $B$HL>$E$1$k$Y$-$G$7$?(B, $B$=$&$9$l$PL7=b$,$"$j$^$;$s(B.
$B;DG0$J$,$i(B, Rotates $B$O$-$A$s$H@0M}$7$FDj5A$5$l$^$;$s$G$7$?(B. update JP: 620
$BCounter Rotate [C1].