Definitions of Square Dance Calls and Concepts -- Reflected Concept [C3B]

Reflected Concept [C3B]
(Clark Baker 1984)

C3B:

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From various formations. EN: 10

$BMM!9$J(B formation $B$+$i(B. JP: 10

Do the any Tagging call (or any variation of a Tagging call) to the 1/2 Tag position; Tandem Arm Turn 1/4 (i.e., Split Counter Rotate 1/4); complete the any Tagging call. EN: 20

Any Tagging call ($B$^$?$O(B Tagging call $B$N1~MQ(B) $B$r(B, 1/2 Tag $B$N0LCV$^$G9T$$(B; Tandem Arm Turn 1/4 ($B$9$J$o$A(B, Split Counter Rotate 1/4) $B$r$7(B; any Tagging call $B$r=*$o$i$;$^$9(B. JP: 20

Reflected Flip The Line:


Reflected Flip The Line $B$NA0(B		1/2 Flip The Line $B$N8e(B		Tandem Arm Turn 1/4 (Box Counter Rotate 1/4) $B$N8e(B		Complete The Flip The Line EN: 30 Complete The Flip The Line JP: 30 $B$N8e(B ($B=*$o$j(B)

Reflected Track 3:


Reflected Track 3 $B$NA0(B		Track 2 $B$N8e(B		Tandem Arm Turn 1/4 (Split Counter Rotate 1/4) $B$N8e(B		Extend $B$N8e(B ($B=*$o$j(B)

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The general idea of Reflected is that you start the Tagging call and are moving in a straight Line, you hit some imaginary wall and get "bounced" or reflected off of it at a 90° angle and then you complete the call. EN: 40

Reflected ($BH?Tagging call $B$r;O$a$F??$CD>$0?J$s$G$$$k$H$-$K(B, $B2>A[$NJI$K$V$D$+$j(B, 90° $BH? JP: 40

On calls such as Track 3 or Invert The Column , even though eight dancers are required to execute the call, the Tagging portion of the call only involves (2 sets of) 4 dancers. EN: 50

Track 3 $B$^$?$O(B Invert The Column $B$N$h$&$J%3!<%k$G$O(B, $B%3!<%k$r9T$&$K$O(B 8 $B?M$N%@%s%5!<$,I,MW$G$9$,(B, Tagging $B$NItJ,$G$O(B, 4 $B?M$@$1(B (4 $B?M$,(B 2 $BAH(B) $B$G9T$$$^$9(B. JP: 50

The generalized definition of Reflected is to do the given call to the 1/2 Tag position; Counter Rotate 1/4 with respect to the number of dancers doing the Tagging portion of the call; complete the given call. EN: 60

Reflected $B$N0lHLE*$JDj5A$O(B, $BM?$($i$l$?%3!<%k$r(B 1/2 Tag $B$N0LCV$^$G9T$$(B; $B%3!<%k$N(B Tagging $B$NItJ,$r9T$&%@%s%5!<$N?t$N>l=j$G(B Counter Rotate 1/4 $B$r9T$$(B; $BM?$($i$l$?%3!<%k$r=*$o$i$;$^$9(B. JP: 60

Reflected Partner Tag:: From a Couple or Mini-Wave. 1/4 In and Touch (this is a Partner 1/2 Tag); Arm Turn 1/4 (since there are only two people in the Tagging portion); Step Thru (to end Back-to-Back). EN: 70

$B%+%C%W%k$^$?$O(B Mini-Wave $B$+$i(B. 1/4 In and Touch ($B$3$l$,(B Partner 1/2 Tag) $B$r$7(B; Arm Turn 1/4 (Tagging $B$NItJ,$G$O(B 2 $B?M$7$+$$$J$$$N$G(B) $B$r$7(B; Step Thru (Back-to-Back $B$H$J$j$^$9(B) $B$r$7$^$9(B. JP: 70
Line of 6 Reflected Tag The Line:: From a Line of 6. Line of 6 1/2 Tag; Tandems of 3 Arm Turn 1/4; all Complete The Tag to end in Back-to-Back Tandems of 3. EN: 80

6 $B?M$N(B Line $B$+$i(B. Line of 6 1/2 Tag $B$r$7(B; Tandems of 3 Arm Turn 1/4 $B$r$7(B; $BA40w$G(B Tag $B$r=*$o$i$;(B Tandems of 3 $B$,(B Back-to-Back $B$H$J$j$^$9(B. JP: 80

Reflected Partner Tag:


Reflected Partner Tag $B$NA0(B		Partner 1/2 Tag $B$N8e(B		Arm Turn 1/4 $B$N8e(B		Step Thru $B$N8e(B ($B=*$o$j(B)

Center Line Of 6 Reflected 1/2 Tag:


Center Line of 6 Reflected 1/2 Tag $B$NA0(B		Center Line of 6 1/2 Tag $B$N8e(B		Center 6 Counter Rotate 1/4 $B$N8e(B ($B=*$o$j(B)

$BTagging Calls.

Choreography for Reflected Concept

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