Definitions of Square Dance Calls and Concepts
 
Definitions of Square Dance Calls and Concepts
 
 
From Eight Chain Thru, Parallel R-H Waves, or other applicable formations. EN: 10
Add Japanese

  1. Pass Thru; EN: 20
    Add Japanese
  2. Centers Pass Thru as Ends Cross Cast BackEN: 30
    Add Japanese
  3. all Trade; EN: 40
    Add Japanese
  4. Centers Trade. EN: 50
    Add Japanese

Ends in Facing Lines. Pass The Axle is a 4-part call. EN: 60
Add Japanese

Pass The Axle
の前
 
     
Pass Thru
の後
 Centers Pass Thru
as Ends Cross Cast Back
の後
  all Trade
の後
 Centers Trade
の後
(終わり)

Note: Historically, those doing the Cross Cast Back always passed Left Shoulders. Then a group of callers decided it would be easier if the definition were changed to specify passing Right Shoulders, and began teaching it this way to their dancers. The CALLERLAB definition of Pass The Axle is defined in terms of Cross Cast Back (which is defined in terms of Trail Off, which in turn is defined as a Left shoulder pass from a Couple), hence the shoulder pass should be Left shoulders. The moral of all this is that you should be aware that some dancers may insist on passing Left Shoulders and others may insist on passing Right Shoulders. We prefer passing Left Shoulders, but will yield when faced with a conflict. Please be aware that there is a controversy and try not to collide with anybody. EN: 70
Add Japanese

応用:

Pass & Roll The Axle [C4] (Ross Howell):
From Eight Chain Thru (or Parallel R-H Waves). Pass Thru; Centers Turn Thru as Ends Right-face U-Turn Back; all Pass The Axle. Ends in Facing Lines. This call must be memorized as a separate call since it is not a Pass & Roll [A2] followed by The Axle [C1]. We believe callers should avoid using this call. EN: 484

次も見てください anything The Axle [C1] と Cast Back, Cross Cast Back [C1].

https://www.ceder.net/def/passtheaxle.php -- Copyright © 2024 Vic Ceder.  All Rights Reserved.