Definitions of Square Dance Calls and Concepts
 
Definitions of Square Dance Calls and Concepts
 
 

According to the dictionary, "Crossfire" is defined as "Lines of gunfire crossing each other". It often feels this way when the 'Crossfire Controversy' raises its head. Because our published definition conflicts with the 'official' CALLERLAB definition, we felt a need to publish this paper in order to 'protect our credibility'. EN: 10
Add Japanese

In the Plus and Advanced levels, callers sometimes call Crossfire from Out-Facing Lines. These callers often expect the ending formation to be a R-H 1/4 Tag. Many challenge callers, on the other hand, cringe at this usage, and try to avoid calling it. EN: 20
Add Japanese

The current CALLERLAB definition of Crossfire (November 1997, as taken from the CALLERLAB website) states: EN: 30
Add Japanese

CROSSFIRE - Starting formation - Two faced line, Parallel lines of four,
 
Inverted Line(s). TIMING - 6
 
As the centers begin to Trade, the ends Cross Fold. Upon completing their Trade, the centers release hands and step straight forward forming an ocean wave or mini-wave with the dancers they are facing. If the Trade leaves the original centers facing no one, they step forward and remain facing out.
 
STYLING: If starting formation is a two-faced line, center dancers use hands up position for trading action and blend into normal mini wave styling. If starting formation is parallel lines of four that results in centers facing no one, that couple joins hands with a couple handhold.

The purpose of this paper is to show that the CALLERLAB definition given above is inconsistent with the definition of practically every other modern square dance call. The CALLERLAB definition is vague, and leads to several ambiguous situations. We believe that the CALLERLAB definition was expressly written with the intent of allowing Crossfire from Out-Facing Lines to end in a 1/4 Tag formation. We believe that this is not the way it should have been done. EN: 40
Add Japanese

Our definition of CrossfireEN: 50
Add Japanese
From a Two-Faced Line or other applicable formation. EN: 60
Add Japanese
 
Ends Cross Fold as Centers Trade & Step Forward. EN: 70
Add Japanese
 
A Two-Faced Line ends in a Mini-Wave Box. EN: 80
Add Japanese

In our opinion, Crossfire is a 4-dancer call. Dancers execute the call working with the 4 dancers in their formation. If the call starts from an 8-dancer formation, then each side of the square independently does the call, staying on their side of the square. At the end of the call, dancers do not step to a wave in the middle of the square, since interacting with the other 4 dancers would make Crossfire an 8-dancer call. EN: 90
Add Japanese

From a One-Faced Line, we believe Crossfire behaves as follows: EN: 100
Add Japanese

   
Crossfire
の前
 Ends Cross Fold
as Centers Trade

の後
 Centers Step Forward
の後
(終わり)

Note that the last part for the Centers, "Step Forward", is necessary so that the ending formation is centered, and not offset. The horizontal line shown in the above diagrams shows the original center of gravity. The "Step Forward" part of Crossfire is analogous to the definition of Peel Off, which contains a phrase such as "to end in a Line" (otherwise, Peel Off, when done from a "Z", would end in an Offset Line: that is, one couple offset from another couple). We believe that the CALLERLAB definition of Crossfire should contain a similar statement (e.g., "to end in a Box"). EN: 200
Add Japanese

If the square contains two non-overlapping occurrences of the above 4-dancer formation (a One-Faced Line), then each group of 4 does the call independently of the other group of 4. It doesn't matter if the two starting formations are end-to-end, facing, back-to-back, or in some other configuration. So why does the CALLERLAB definition behave differently for the back-to-back case??? EN: 220
Add Japanese

Many Plus-level callers have been calling Crossfire from Out-Facing Lines and ending in a 1/4 Tag for many years. I used to be one of them. In fact, as a Plus dancer myself, many years ago, I thought that the fact that Crossfire from Out-Facing Lines ends in a 1/4 Tag was "really cool". Nowadays, I think it's shoddy calling. EN: 230
Add Japanese

Trying to effect change among the many callers who use Crossfire in this manner won't be easy. I am convinced, however, that this is the right thing to do, and that the future of Crossfire lies with it being a 4-dancer call. EN: 240
Add Japanese

Suppose, for example, that Crossfire is an 8-dancer call. Let's take a look at this starting formation: EN: 250
Add Japanese

From here, there are 3 possible interpretations for Crossfire: EN: 260

 
Crossfire
の前
Case 1:

 
Case 2:

 
Case 3:

 


If Crossfire has no restriction on it being a 4-dancer call done in your 4-dancer formation, then the following are also 'legal' (and potentially ambiguous): EN: 330
Add Japanese

   
Crossfire
の前
 Ends Cross Fold
as Centers Trade

の後
 Centers Step To A Wave
の後
(終わり)
In the above example, the caller would be required to say the words 'Each Side' if he/she didn't want the above-diagrammed movement to occur. EN: 340

   
Crossfire
の前
 Ends Cross Fold
as Centers Trade

の後
 "Extend"
の後
(終わり)
In the above example, do the Ends go past each other for the Cross Fold, or not? A case could be made either way. EN: 350

   
Crossfire
の前
 
(Oh, but look!
Two Centers are facing each other,
so, of course, they must Step To A Wave) EN: 360

の後
 (done)


Callers and dancers at the challenge levels want calls to be consistent and unambiguous. The 'challenge' is not in trying to figure out which interpretation this particular caller wants! Hence, challenge square dancing needs well-defined calls. Making Crossfire be a 4-dancer call gives us this consistency. The dancers know who they are working with, and can determine the ending formation. There are no surprises after we do the call a la "oh gee, it seems that I'm facing someone, therefore I must Step To A Wave, even if the other person was working in the other group of 4!". Rules such as these are nonsense. EN: 400
Add Japanese

Also, at Challenge, we do calls using Phantom dancers. In general, the facing direction of the Phantom dancer is defined to be "whatever is necessary in order to do the call". Now suppose a caller calls Phantom Crossfire from here: EN: 410
Add Japanese

Phantom Crossfire:

 
Phantom Crossfire
の前
How do the dancers know whether to end in (Phantom) Columns or a (Phantom) 1/4 Tag? EN: 420

An example of Crossfire as an 8-dancer call: EN: 430

 
Crossfire
の前
According to our definition: EN: 440

 
According to the CALLERLAB definition: EN: 450

 
We believe that Crossfire is legal from the above starting formation despite the fact that from that formation, Crossfire is an 8-dancer call. Many 4-dancer calls exhibit such a behavioral change when done from T-Bone setups. EN: 460


Our recommended "fix" for the CALLERLAB definition: EN: 470
Add Japanese
  1. Remove the phrase "step straight forward forming an ocean wave or mini-wave with the dancers they are facing. If the Trade leaves the original centers facing no one, they step forward and remain facing out." and replace it with something that makes sense such as "Step forward (if necessary) so that the ending formation is centered with respect to the starting formation." EN: 480
    Add Japanese
  2. Add "Ends in a Box (2 x 2 formation)." EN: 490
    Add Japanese

Note on Roll: We believe that only the original Ends can Roll, and our definition, "Centers Trade and Step Forward as Ends Cross Fold" is worded such that it allows for the Ends to Roll, but not the Centers. EN: 500
Add Japanese


This page reflects my personal opinions. If you have any comments, pro or con, I'd like to hear them. EN: 510
Add Japanese

https://www.ceder.net/def/crossfire_controversy.php -- Copyright © 2024 Vic Ceder.  All Rights Reserved.
full URL