From Facing Dancers, a R-H Mini-Wave, or other applicable 8-dancer formations.
- Pass In:
- Pass Thru; Face In (individually turn 1/4 toward the center of the set).
- Pass Out:
- Pass Thru; Face Out (individually turn 1/4 away from the center of the set).
Ends in a Couple.
Pass In |
From Facing Lines:
| |
| before Pass In | | after
|
|
From Eight Chain Thru:
| |
| before Pass In | | after
|
|
From an unusual formation:
| |
| before Pass In | | after
|
|
Pass Out |
From Facing Lines:
| |
| before Pass Out | | after
|
|
From Eight Chain Thru:
| |
| before Pass Out | | after
|
|
Notes:
-
Pass In | Out can be done by any two Facing Dancers
(or dancers in a R-H Mini-Wave) with the restriction
that after the Pass Thru, neither dancer is directly facing toward
or away from the flagpole center of the set.
-
Each dancer individually evaluates the direction (In or Out).
-
After the Pass Thru, even if you are already facing In | Out,
you must still turn 1/4.
-
After Pass In, everyone is facing toward the center of the set.
If you end facing out, then you did the call incorrectly.
-
After Pass Out, everyone is facing away from the center of the set.
-
From an Eight Chain Thru, a caller may call "Pass In Twice".
Be careful if you start as an Outside: the second Pass In
causes you to turn the opposite direction from the first Pass In.
Re-evaluate your position before the second Pass In.
Pass Right | Left [NOL]:
From Facing Dancers or a R-H Mini-Wave.
Pass Thru; Face Right | Left (individually turn 1/4 in place to the Right | Left).
Ends in a R-H | L-H Mini-Wave.
Face In | Out [MSV]:
Individually turn 1/4 in place toward (Face In) or away from (Face Out) the center of the set.
1/4 In | Out [A1] (Jim Faulkenberry and Clarence Watson 1959):
From a Couple or Mini-Wave.
Individually turn 1/4 toward (1/4 In) or away from (1/4 Out) your Partner
(the adjacent dancer). If you do not have a Partner, turn 1/4 toward or
away from the center of the smallest applicable sub-formation you can find.
Split Pass In | Out [NOL]:
From Facing Couples or other applicable formations.
Pass Thru; 1/4 In | Out
(i.e., in your 4-dancer setup do a Pass In | Out).
Slide Thru [Mainstream] (Harlan Moody 1965):
From Facing Dancers or a R-H Mini-Wave.
Pass Thru; Girls Face Left as Boys Face Right.
Opposite sex dancers end as a Couple;
Two Boys end in a R-H Mini-Wave;
Two Girls end in a L-H Mini-Wave.
Slide Thru is a sex-dependent call.