(instead of 3/4).
This variation is not well defined. There are two different ways
(resulting in different ending formations) that the Centers could do the Cast Off 1/2:
EN: 70 (3/4 $B$NBe$o$j$K(B).
$B$3$N1~MQ$O(B, $B$-$A$s$HDj5A$5$l$F$$$^$;$s(B.
Centers $B$,9T$&(B Cast 1/2 $B$K$O(B, $BJP: 70
(istället för 3/4).
Denna variant är inte bra definierad. Det finns två
olika sätt (resulterande i olika slutformationer) som Centers kan
göra Cast Off 1/2:
SE: 70 We disapprove of the above variation since it is ambiguous, but would opt for
the first case if it was encountered while dancing.
EN: 90 $B;dC#$O(B, $B$3$N1~MQ$K$O$"$$$^$$$5$,$"$k$N$GNI$/$J$$$H;W$$$^$9$,(B,
$B%@%s%9Cf$K=P$F$-$?$i;O$a$NJ}$rA*$V$G$7$g$&(B.
JP: 90 Vi ogillar denna variant eftersom den är tvetydig, men skulle välja
det första alternativet om vi träffade på det i en dans.
SE: 90
Counter [C2] (Lee Kopman):
From a 3/4 Tag or other applicable formations.
Centers Cast Off 3/4 and Counter Rotate 1/4 as
Outsides
Cast Back, Touch 1/2, and
Step & Fold.
A R-H 3/4 Tag ends in Parallel L-H Waves;
a L-H 3/4 Tag ends in Parallel L-H Two-Faced Lines.
EN: 241 3/4 Tag $B$^$?$OB>$NE,@Z$J(B formation $B$+$i!%(B
Centers $B$O(B Cast Off 3/4 $B$r$7$F(B Counter Rotate 1/4 $B$r$7$^$9!%(B
$B30B&$N?M$O(B
Cast Back, Touch 1/2, $B$=$7$F(B
Step & Fold $B$r$7$^$9!%(B
$B1&$N(B 3/4 Tag $B$+$i$O(B, $BJ?9T$J:8$N(B Waves $B$K$J$j(B,
$B:8$N(B 3/4 Tag $B$+$i$O(B, $BJ?9T$J:8$N(B Two-Faced Lines $B$K$J$j$^$9!%(B
JP: 241 Från en 3/4 Tag eller andra tillämpliga formationer.

 Centers Cast Off 3/4 och Counter Rotate 1/4 medan Outsides
Cast Back, Touch 1/2,

 och
Step & Fold.

 En R-H 3/4 Tag slutar i Parallel L-H Waves;

 en L-H 3/4 Tag slutar i Parallel L-H Two-Faced Lines.
SE: 241 Z formace 3/4 Tag a dalších vhodných formací.

Centers Cast Off 3/4 and Counter Rotate 1/4,

Outsides
Cast Back, Touch 1/2, and
Step & Fold.

R-H 3/4 Tag končí v Parallel L-H Waves;

L-H 3/4 Tag končí v Parallel L-H Two-Faced Lines.
CZ: 241