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Definitions of Square Dance Calls and Concepts
Split Phantom Columns | Lines | Waves Concept [C3A]
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Split Phantom Columns | Lines | Waves Concept -- [C3A]
   (Keith Gulley 1977)
All levels:     

言語 or              All   
   edit def

From a 4 x 4 Matrix, visualized as 4 adjacent Columns | Lines | Waves. EN: 10
隣り合った Column | Line | Wave が 4 つ見つかるような 4 x 4 Matrix から. JP: 10

Split the 4 x 4 Matrix into two sets of adjacent Columns | Lines | Waves and work in the resulting 2 x 4 Matrix on each side. EN: 20
4 x 4 Matrix を隣り合った 2 組の Column | Line | Wave に分け, each side でできた 2 x 4 Matrix で動きます. JP: 20

Work with these positions for
Split Phantom Columns EN: 30
Split Phantom Columns
ではこれらの position で動きます JP: 30
 Split Phantom Columns
Triple Cross

Work with these positions for
Split Phantom Lines | Waves EN: 40
Split Phantom Lines | Waves
ではこれらの position で動きます JP: 40
 Split Phantom Waves
In Roll Circulate


  • If the given call requires you to know the facing direction of a phantom, look at that phantom's opposite within the Split Phantom Columns | Lines | Waves formation. Hopefully that spot is occupied by a real dancer, in which case your phantom is facing the opposite direction of that dancer. This is known as Assume Symmetry. Some callers believe you should always do this; other callers believe you should never do this (I am of the latter opinion). EN: 50
    もし与えられたコールで, phantom の向きを知る必要があるときは, Split Phantom Columns | Lines | Waves formation で phantom の opposite を見てください.その場所に人がいれば, phantom はその人の逆を向いています.これは Assume Symmetry (訳者注: 対称であることを仮定する) として知られています.あるコーラーは, 常にこのようにすべきと信じていますが, 他のコーラーは, してはいけないと信じています (私は後者の意見です). JP: 50
  • If the caller says Split Phantom Waves, then you have more information about the facing direction of the phantoms: they must be in Waves! EN: 60
    もしコーラーが Split Phantom Waves と言えば, Wave でなければならないので, phantom の向きに関しての情報があります. JP: 60
  • Imagine there is a brick wall dividing the two halves of the set. This can prevent you from crossing over into the other half of the set. EN: 70
    Set を 2 つに分けた真ん中には, 煉瓦の壁 (訳者注: 日本では三途の川) があると思ってください.そうすれば, Set のもう半分の方へ行ってしまうことを妨げるでしょう. JP: 70
  • Shape-changing calls are allowed. Do the given call, keeping track of the phantoms, and breathe as necessary so that the two resulting formations are adjacent to each other. EN: 80
    Shape-change するコールが許されます.与えられたコールをして, phantom の行き先も含めて, 必要なら結果の formation がお互いに隣になるように breathe します. JP: 80
  • Historically, Split Phantom Columns | Lines | Waves have also been known as Phantom Split Columns | Lines | WavesEN: 90
    歴史的には, Split Phantom Columns | Lines | WavesPhantom Split Columns | Lines | Waves ともコールされました. JP: 90

From a T-Bone starting formation, each dancer individually determines how to split the 4 x 4 formation. EN: 100
T-Bone formation から, ダンサーは各自で 4 x 4 formation をどのように分けるかを決めます. JP: 100

Split Phantom Waves
In Roll Circulate

Split Phantom Columns | Lines | Waves is also occasionally used from a 1 x 16. EN: 110
上のレベルでは, Split Phantom Columns | Lines | Waves は 1 x 16 からも使われます. JP: 110

Work with these positions for
Split Phantom Lines EN: 120
Split Phantom Lines
ではこれらの position で動きます JP: 120


CALLERLAB definition for Split Phantom Columns/Lines/Waves Concept

Choreography for Split Phantom Columns | Lines | Waves Concept

Comments? Questions? Suggestions?
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14-November-2019 01:20:27
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