Square Dance
Choreography and Notes
by Judy Obee
Introduction
Resources
Definition
Common Usage
Expanding the Usage
Exercise
Mainstream
For Further Analysis
This dissertation is prompted by what appeared to be discomfort on the part of the dancers when I called a Veer Right recently to some Plus-level dancers. The sequence that caused the trouble was a Basic sequence similar to:
Heads Pass the Ocean
Centers Swing Thru
Center Boys Run
Centers Veer Right (Zero Box)
It seemed as though a bunch of the dancers felt that since Veer
Left is テΔテやぎテで杜ove forward and to the leftテΔテやぎテ, that Veer Right must be テΔテやぎテで杜ove backward
and to the rightテΔテやぎテ.
This suggests that perhaps we are not calling it often enough. I know that the only time that I call Veer Right is in situations similar to the following:
(in Double Pass Thru position)
Boring Option: Centers Pass Thru to your corner, LA
Less Boring Option: Centers Veer Left, Centers Veer Right to your corner, LA
(Of course, having prepared some workshop material on this move,
I will increase the variety of my Veers!)
The way that I saw it, the problem was that Veer Right is somewhat unfamiliar to the typical B/M/P dancer. In order to come up with some nifty new choreography, I decided to look in my vast library of callers notes - and I have a lot! While many note service writers used the move, the only ones in my collection that actually featured it were those by Norm Wilcox and by David Cox (I like David Cox's notes because they are in electronic form, so that it is easy to search for a particular move).
H. Orlo HoadleyテΔテやぎテや┐s book, テΔテやぎテで鼎allers Guidebook to Complete ChoreographyテΔテやぎテ, is also a valuable resource, especially if you are trying to think of something different to call before or after a particular move.
VEER FAMILY: (a) LEFT (b) RIGHT - Starting formation - facing dancers, facing couples, mini waves or two-faced lines.
Two facing couples working as a unit, or two facing dancers move to the left (or right, as directed) and forward to end in a two-faced line or mini wave respectively.
From a mini wave or a two-faced line, the veering direction must be toward the center of the mini wave or line. Each dancer, or couple working as a unit, moves forward and inward to end back to back with the other dancer or couple respectively.
STYLING: All dancers use couple handhold. Outside hands in normal dance
position. TIMING: Box, 2 steps; SS, heads or sides, 4 steps.
In my dancing experience, I would say that 99% of the time that I hear the word テΔテやぎテで天eerテΔテやぎテ, it is a テΔテやぎテで天eer LeftテΔテやぎテ, it is from facing couples only, and it is part of either:
Right and Left Thru, Veer Left
Heads Lead Right, Veer Left
Perhaps the easiest way to toss a Veer Right into the mix is with:
Heads Lead LEFT, Veer RIGHT
The neat thing about this is that you now have left-handed two-faced
lines, and you can do some lefty things. For example:
Heads Lead Left
Everybody Veer Right (LH 2FL)
Couples Circulate
Ferris Wheel (itテΔテやぎテや┐s a lefty)
Centers Veer Right
Centers Veer Left
All Veer Left (RH 2FL)
Bend the Line
Right and Left Thru
(Zero Line)
HereテΔテやぎテや┐s another few sequences - they take advantage of existing Wheel
and Deal flow, and you donテΔテやぎテや┐t stay in the LH 2FL for very long.
(Zero Line)
Pass Thru
Wheel and Deal
Centers Veer Right
Centers Bend the Line
LA
A cute getout:
(Zero Line)
Pass Thru
Wheel and Deal
Centers Veer Right
All Promenade
A still cuter one, called the Drunken Sailor routine (This is from
David CoxテΔテやぎテや┐s note service, where he credits Bill Pendlebury for this interesting
segment):
(Zero Line)
Pass Thru
Wheel and Deal
Centers Veer Right
Centers Veer Left
All Veer Right
All Promenade
HoadleyテΔテやぎテや┐s book includes an interesting set of sequences for the
situation in which you have a two-faced line and you want the net effect
of each couple doing a partner trade:
(from RH 2FL)or
Ferris Wheel
Centers Veer Left
Centers Veer Right
All Veer Right
(LH 2FL)
(from LH 2FL)
Ferris Wheel
Centers Veer Right
Centers Veer Left
All Veer Left
(RH 2FL)
Another move that leads comfortably into a Veer Right is the Reverse
Flutterwheel. Try this:
Heads Star Thru
Heads Pass Thru
Heads Partner Trade
Heads Reverse Flutterwheel
Heads Veer Right
Heads Veer Left
Right and Left Thru
Swing Thru
Turn Thru
LA
And the logical extension:
Heads Right and Left Thru
Heads Pass Thru
Heads Partner Trade
Heads Reverse Flutterwheel
Heads Sweep 1/4 More (to the right)
Heads Veer Right
Heads Veer Left
(Zero box)
(And, remember, anything that you can do with just the heads to
get to a Zero Box or LA, you can also do from Zero Lines to get to a LA
- this sequence just might be interesting!)
The following sequence uses a move that doesnテΔテやぎテや┐t get used a whole lot,
even though itテΔテやぎテや┐s the first move on the list! Note that I have ensured
that the center manテΔテやぎテや┐s left hand and the center ladyテΔテやぎテや┐s right hand are both
free so that they can do the Circle comfortably (Heads Square Thru 4 would
not be a good get-in):
Heads Star Thru
Heads Right and Left Thru
Heads Pass Thru
(Zero Box)
Circle RIGHT half way
Veer Right
Ferris Wheel (lefty again)
Centers Pass Thru
LA
I have often wondered why the sequence テΔテやぎテで迭ight and Left Thru, Veer
LeftテΔテやぎテ is called so often - from a body flow perspective, I think that a
テΔテやぎテで迭ight and Left Thru, Veer RightテΔテやぎテ would be more comfortable - you would
just テΔテやぎテで吐lowテΔテやぎテ to the new position, instead of テΔテやぎテで田ranking aroundテΔテやぎテ. Of
course, that would put the dancers into LH 2FL (oh, no, not another lefty!).
So, how about these. Note that the dancers are not in that LH
2FL for very long.
(Zero Line)
Right and Left Thru
Pass Thru
Wheel and Deal
Centers Right and Left Thru
Centers Veer RIGHT
Centers Bend the Line
LA
It is important, of course, to use good timing here, because the
instant that they hear the word テΔテやぎテで天eerテΔテやぎテ after the Right and Left Thru, well,
theyテΔテやぎテや┐re going to go Left - itテΔテやぎテや┐s a habit!
The sequences above donテΔテやぎテや┐t include any veers from two-faced lines unless
a veer was used to form the two-face line (i.e., centers Veer Left and
then Veer Right). My opening paragraph included one that was done
テΔテやぎテで田oldテΔテやぎテ from a two-faced line. HereテΔテやぎテや┐s another, with an interesting
Right and Left Thru variation (I had to work this one with my dancers a
bit):
Heads Star ThruAn exercise in variation:
Heads Pass Thru
Right and Left Thru
Swing Thru
Centers Run
Bend the Line
Right and Left Thru and 1/4 More (RH 2FL) (Sides facing out)
Veer Right
Trade By
LA
We notice really quickly that in the following sequence, it doesnテΔテやぎテや┐t
matter whether the Veer is to the left or to the right:
(Zero Box)
Right and Left Thru
Veer LEFT or Veer RIGHT
Ferris Wheel
Centers Pass Thru
(Zero Box)
So, letテΔテやぎテや┐s expand on this coincidence. One of the things that
we might try is to vary an existing common sequence. For example,
here is a common singing call figure:
Heads Square Thru 4
Right and Left Thru
Veer Left (Note: men out of sequence, ladies in sequence)
Couples Circulate
Chain Down the Line (Note: both out of sequence)
Star Thru
Pass Thru
Trade By
Swing Corner, Promenade
Let us say that we want to change Veer LEFT to Veer RIGHT.
What else will have to change?
The first thing to notice is the sequence after the Veer: men in sequence, ladies out of sequence.
The next thing to notice is the the men are in the center, so calling Chain Down the Line could be really tricky, especially since they have left hands joined! Fortunately, since that move is equivalent to Ladies Trade, Bend the Line, we can do a corresponding equivalent: Men Trade, Bend the Line. The neat thing is that by having the men trade instead of the ladies, we are back to the correct sequence automatically. Cool!
So, we now have:
Heads Square Thru 4
Right and Left Thru
VEER RIGHT (Note: men in sequence, ladies out of sequence)
Couples Circulate
CENTERS (MEN) TRADE (Note: both out of sequence)
BEND THE LINE
Star Thru
Pass Thru
Trade By
Swing Corner, Promenade
And it works!
LetテΔテやぎテや┐s try to use it with a Mainstream move - Walk and Dodge. The
important thing here is that we want to veer in the direction that the
dodger is dodging.
Heads Touch 1/4There are some other things that could be done - the following example is based on suggestions in David Cox's notes - I leave the details as an exercise for the reader:
Heads Walk and Dodge
Everybody Veer Right
Bend the Line
(Zero Line)
Right & Left Thru
Ladies Lead Dixie Style to an Ocean Wave
Men Trade
Recycle (Ladies - help him out!)
Veer Right
....
I think that there could be more material for the Veer from a 2-faced
line, and I havenテΔテやぎテや┐t talked at all about veering as individuals, not couples.
This page last updated Oct 14, 2001.
The contents of this site are copyrightゥ 2000, Judith Obee.
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