Definitions of Square Dance Calls and Concepts
T-Bone Concept [C1]

FAQ  |
Index -->  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |
Definitions (Text Only) -->  Plus  |  A1  |  A2  |  C1  |  C2  |  C3A  |  C3B  |  C4  |  NOL  |
 Find call:

T-Bone Concept -- [C1]

 Language: or

T-Bone is a name given to any (usually rectangular) setup in which at least one dancer's facing direction is 90 degrees off relative to another dancers' facing direction. The word 'T-Bone' is typically not said unless the caller wishes to emphasize that the dancers should pay attention.

When doing calls from T-Bone formations, do your part of the given call. Assume that dancers T-Boned to you are facing in whatever direction is necessary for you to do your part of the call. Usually, you will not interact much with those who are T-Boned to you, and the call may feel quite different than when done from a normal setup.

Examples of T-Bone formations:

In the last example,
dancers act as if they are in Lines, and
dancers act as if they are in Columns.

 beforePeel & Trail after

 beforeWalk & Dodge after

 beforeAcey Deucey after

 beforeOut Roll Circulate after

When executing Circulates (and calls involving Circulates) the Lead dancers who make a loop as part of their traffic pattern must move around the outside of any dancers who are moving straight ahead. This means that some dancers may pass Right-Shoulders while other dancers may pass Left-Shoulders. Be careful to pass the correct shoulder since the caller could fractionalize the call.

 beforeBox Circulate after1/2 Box Circulate (done)

 before(all 8) Circulate after1/2 Circulate (done)

Notes:

• When done from T-Bones, calls that normally end in Lines often end in Diamonds and vice-versa.
• Be very precise with your positioning when doing calls from T-Bones. Make sure your formations are compact and that you are directly lined up with a wall.

CALLERLAB definition for T-Bone Formation

Choreography for T-Bone Concept